In a house which becomes a home,
one hands down and another takes up
the heritage of mind and heart,
laughter and tears, musings and deeds.
Love, like a carefully loaded ship,
crosses the gulf between the generations.
Therefore, we do not neglect the ceremonies
of our passage: when we wed, when we die,
and when we are blessed with a child;
When we depart and when we return;
When we plant and when we harvest.
Let us bring up our children. It is not
the place of some official to hand to them
their heritage.

How, in the light of morning,
Round me thou glowest,
Spring, thou beloved one!
With thousand-varying loving bliss
The sacred emotions
Born of thy warmth eternal
Press 'gainst my bosom,
Thou endlessly fair one!
Could I but hold thee clasp'd
Within mine arms!

Ah! upon thy bosom
Lay I, pining,
And then thy flowers, thy grass,
Were pressing against my heart.
Thou coolest the burning
Thirst of my bosom,
Beauteous morning breeze!
The nightingale then calls me
Sweetly from out of the misty vale.
I come, I come!

As though the mercury's under its tongue, it won't
talk. As though with the mercury in its sphincter,
immobile, by a leaf-coated pond
a statue stands white like a blight of winter.
After such snow, there is nothing indeed: the ins
and outs of centuries, pestered heather.
That's what coming full circle means -
when your countenance starts to resemble weather,
when Pygmalion's vanished. And you are free
to cloud your folds, to bare the navel.
Future at last! That is, bleached debris
of a glacier amid the five-lettered "never."

No one understood the perfume
of the dark magnolia of your womb.
Nobody knew that you tormented
a hummingbird of love between your teeth.

A thousand Persian little horses fell asleep
in the plaza with moon of your forehead,
while through four nights I embraced
your waist, enemy of the snow.

Between plaster and jasmins, your glance
was a pale branch of seeds.
I sought in my heart to give you
the ivory letters that say "siempre",

"siempre", "siempre" : garden of my agony,
your body elusive always,

I want to sleep the dream of the apples,
to withdraw from the tumult of cemetries.
I want to sleep the dream of that child
who wanted to cut his heart on the high seas.

I don't want to hear again that the dead do not lose their blood,
that the putrid mouth goes on asking for water.
I don't want to learn of the tortures of the grass,
nor of the moon with a serpent's mouth
that labors before dawn.

I want to sleep awhile,
awhile, a minute, a century;
but all must know that I have not died;
that there is a stable of gold in my lips;

Oh, I have tried to laugh the pain away,
Let new flames brush my love-springs like a feather.
But the old fever seizes me to-day,
As sickness grips a soul in wretched weather.
I have given up myself to every urge,
With not a care of precious powers spent,
Have bared my body to the strangest scourge,
To soothe and deaden my heart's unhealing rent.
But you have torn a nerve out of my frame,
A gut that no physician can replace,
And reft my life of happiness and aim.
Oh what new purpose shall I now embrace?

For this my mother wrapped me warm,
And called me home against the storm,
And coaxed my infant nights to quiet,
And gave me roughage in my diet,
And tucked me in my bed at eight,
And clipped my hair, and marked my weight,
And watched me as I sat and stood:
That I might grow to womanhood
To hear a whistle and drop my wits
And break my heart to clattering bits.

My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days.
My mother's life is puritan,
No hint of cavalier,
A pool so calm you're sure it can
Have little depth to fear.

And yet my father's eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.

And though my mother chants of God,
And of the mystic river,
I've seen a bit of checkered sod
Set all her flesh aquiver.

Why should he deem it pure mischance

Come, let us rejoice in James Joyce, in the greatness of this poet,
king, and king of poets
For he is our poor dead king, he is the monarch and Caesar of English,
he is the veritable King of the King's English

The English of the life of the city,
and the English of music;

Let them rejoice because he rejoiced and was joyous;
For his joy was superior, it was supreme, for it was accomplished
After the suffering of much evil, the evil of the torment of pride,

Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

Hoarse, booming drums of the regiment
Little souls who thirst for fight,
These men were born to drill and die
The unexplained glory flies above them
Great is the battle-god, great, and his kingdom--
A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,