hope

I think that I shall never know
Why I am thus, and I am so.
Around me, other girls inspire
In men the rush and roar of fire,
The sweet transparency of glass,
The tenderness of April grass,
The durability of granite;
But me- I don't know how to plan it.
The lads I've met in Cupid's deadlock
Were- shall we say?- born out of wedlock.
They broke my heart, they stilled my song,
And said they had to run along,
Explaining, so to sop my tears,
First came their parents or careers.
But ever does experience

Awake, my heart's delight, awake
Thou Christian host, and hear
These tones that lovely music make,
God's Word most pure and clear,
That now is sweetly sounding,
While dawn is piercing through the night
Through God's dear love abounding.

The prophets' message now at last
Our ears may hear again,
Locked up therewith in silence fast
Long had the Gospel lain;
But now we hear their voices,
And many an anxious burdened soul
In freedom now rejoices.

For conscience lay oppressed and bound

A dream lies dead here. May you softly go
Before this place, and turn away your eyes,
Nor seek to know the look of that which dies
Importuning Life for life. Walk not in woe,
But, for a little, let your step be slow.
And, of your mercy, be not sweetly wise
With words of hope and Spring and tenderer skies.
A dream lies dead; and this all mourners know:

Whenever one drifted petal leaves the tree-
Though white of bloom as it had been before
And proudly waitful of fecundity-

Behold her lockes like wiers of beaten gold,
her eies like starres that twinkle in the skie,
Her heauenly face not framd of earthly molde,
Her voice that sounds Apollos melodie,
The miracle of time, the [whole] worlds storie,
Fortunes Queen, Loues treasure, Natures glory.

No flattering hope she likes, blind Fortunes bait
nor shadowes of delight, fond fansies glasse,
Nor charmes that do inchant, false artes deceit,
nor fading ioyes, which time makes swiftly pas
But chast desires which beateth all these downe ;

To Ernest Brace

"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.

That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,

Man. SWEETEST Saviour, if my soul
   Were but worth the having,
Quickly should I then control
   Any thought of waving.
But when all my care and pains
Cannot give the name of gains
To Thy wretch so full of stains,
What delight or hope remains?

Saviour. What, child, is the balance thine,
   Thine the poise and measure?
If I say, 'Thou shalt be Mine,'
   Finger not My treasure.
What the gains in having thee
Do amount to, only He
Who for man was sold can see;

Fair Saxon, in my lover's creed,
My love were smaller than your meed,
And you might justly deem it slight,
As wanting truth as well as sight,
If, in that image which is shrined
Where thoughts are sacred, you could find
A single charm, or more or less,
Than you to all kind eyes possess.
To me, even in the happiest dreams,
Where, flushed with love's just dawning gleams,
My hopes their radiant wings unfurl,
You're but a simple English girl,
No fairer, grace for grace arrayed,
Than many a simple Southern maid;

Ho! woodsmen of the mountain side!
Ho! dwellers in the vales!
Ho! ye who by the chafing tide
Have roughened in the gales!
Leave barn and byre, leave kin and cot,
Lay by the bloodless spade;
Let desk, and case, and counter rot,
And burn your books of trade.

The despot roves your fairest lands;
And till he flies or fears,
Your fields must grow but arm|\ed bands,
Your sheaves be sheaves of spears!
Give up to mildew and to rust
The useless tools of gain;
And feed your country's sacred dust

On building a chapel at Cape Town, for the Negro slaves of the colony, in 1828.


Afric, from her remotest strand,
Lifts to high heaven one fetter'd hand,
And to the utmost of her chain
Stretches the other o'er the main:
Then, kneeling 'midst ten thousand slaves,
Utters a cry across the waves,
Of power to reach to either pole,
And pierce, like conscience, through the soul,
Though dreary, faint, and low the sound,
Like life-blood gurgling from a wound,
As if her heart, before it broke,

A bird that I don't know,
Hunched on his light-pole like a scarecrow,
Looks sideways out into the wheat
The wind waves under the waves of heat.
The field is yellow as egg-bread dough
Except where (just as though they'd let
It live for looks) a locust billows
In leaf-green and shade-violet,
A standing mercy.
The bird calls twice, "Red clay, red clay";
Or else he's saying, "Directly, directly."
If someone came by I could ask,
Around here all of them must know --
And why they live so and die so --