house

SILLIANDER and PATCH.

THOU so many favours hast receiv'd,
Wondrous to tell, and hard to be believ'd,
Oh ! H---- D, to my lays attention lend,
Hear how two lovers boastingly contend ;
Like thee successful, such their bloomy youth,
Renown'd alike for gallantry and truth.

St. JAMES's bell had toll'd some wretches in,
(As tatter'd riding-hoods alone could sin)
The happier sinners now their charms put out,
And to their manteaus their complexions suit:
The opera queens had finish'd half their faces,

I will teach you my townspeople
how to perform a funeral
for you have it over a troop
of artists-
unless one should scour the world-
you have the ground sense necessary.

See! the hearse leads.
I begin with a design for a hearse.
For Christ's sake not black-
nor white either - and not polished!
Let it be whethered - like a farm wagon -
with gilt wheels (this could be
applied fresh at small expense)
or no wheels at all:
a rough dray to drag over the ground.

Knock the glass out!

SILLIANDER and PATCH.
THOU so many favours hast receiv'd,
Wondrous to tell, and hard to be believ'd,
Oh ! H---- D, to my lays attention lend,
Hear how two lovers boastingly contend ;
Like thee successful, such their bloomy youth,
Renown'd alike for gallantry and truth.

St. JAMES's bell had toll'd some wretches in,
(As tatter'd riding-hoods alone could sin)
The happier sinners now their charms put out,
And to their manteaus their complexions suit :
The opera queens had finish'd half their faces,

FLAVIA.
THE wretched FLAVIA on her couch reclin'd,
Thus breath'd the anguish of a wounded mind ;
A glass revers'd in her right hand she bore,
For now she shun'd the face she sought before.

' How am I chang'd ! alas ! how am I grown
' A frightful spectre, to myself unknown !
' Where's my Complexion ? where the radiant Bloom,
' That promis'd happiness for Years to come ?
' Then with what pleasure I this face survey'd !
' To look once more, my visits oft delay'd !

In my aunt's house, the milk jug's beaded crochet cover
tickles the ear. We've eaten boiled things with butter.
Pie spiced like islands, dissolving in cream, is now
dissolving in us. We've reached the teapot of calm.
The table we sit at is fashioned of three immense
beech boards out of England. The minute widths of the year
have been refined in the wood by daughters' daughters.
In the year of Nelson, I notice, the winter was mild.

But our talk is cattle and cricket. My quiet uncle

Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.

As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:

We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:

Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear

638

To my small Hearth His fire came—
And all my House aglow
Did fan and rock, with sudden light—
'Twas Sunrise—'twas the Sky—

Impanelled from no Summer brief—
With limit of Decay—
'Twas Noon—without the News of Night—
Nay, Nature, it was Day—

So what use was poetry
to a white empty house?

Wolf, swan, hare,
in by the fire.

And when your tree
crashed through your house,

what use then
was all your power?

It was the use of you.
It was the flower.

People wish to be settled. Only as long as they are unsettled is there any hope for them.
-- Thoreau

My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.

Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,

Brother, today I sit on the brick bench of the house,
where you make a bottomless emptiness.
I remember we used to play at this hour, and mama
caressed us: "But, sons..."

Now I go hide
as before, from all evening
lectures, and I trust you not to give me away.
Through the parlor, the vestibule, the corridors.
Later, you hide, and I do not give you away.
I remember we made ourselves cry,
brother, from so much laughing.

Miguel, you went into hiding
one night in August, toward dawn,