When the Norn Mother saw the Whirlwind Hour
Greatening and darkening as it hurried on,
She left the Heaven of Heroes and came down
To make a man to meet the mortal need.
She took the tried clay of the common road --
Clay warm yet with the genial heat of Earth,
Dashed through it all a strain of prophecy;
Tempered the heap with thrill of human tears;
Then mixed a laughter with the serious stuff.
Into the shape she breathed a flame to light
That tender, tragic, ever-changing face.
Here was a man to hold against the world,

I was the daughter of Lambert Hutchins,
Born in a cottage near the grist-mill,
Reared in the mansion there on the hill,
With its spires, bay-windows, and roof of slate.
How proud my mother was of the mansion!
How proud of father's rise in the world!
And how my father loved and watched us,
And guarded our happiness.
But I believe the house was a curse,
For father's fortune was little beside it;
And when my husband found he had married
A girl who was really poor,
He taunted me with the spires,
And called the house a fraud on the world,

The birches are mad with green points
the wood's edge is burning with their green,
burning, seething--No, no, no.
The birches are opening their leaves one
by one. Their delicate leaves unfold cold
and separate, one by one. Slender tassels
hang swaying from the delicate branch tips--
Oh, I cannot say it. There is no word.
Black is split at once into flowers. In
every bog and ditch, flares of
small fire, white flowers!--Agh,
the birches are mad, mad with their green.
The world is gone, torn into shreds

What is our life? A play of passion,
Our mirth the music of division,
Our mother's wombs the tiring-houses be,
Where we are dressed for this short comedy.
Heaven the judicious sharp spectator is,
That sits and marks still who doth act amiss.
Our graves that hide us from the setting sun
Are like drawn curtains when the play is done.
Thus march we, playing, to our latest rest,
Only we die in earnest, that's no jest.

I saw, sweet Licia, when the spider ran
Within your house to weave a worthless web,
You present were and feared her with your fan,
So that amazéd speedily she fled.
She in your house such sweet perfumes did smell,
And heard the Muses with their notes refined,
Thus filled with envy, could no longer dwell,
But straight returned and at your house repined.
Then tell me, spider, why of late I saw
Thee lose thy poison, and thy bowels gone;
Did these enchant and keep thy limbs in awe,
And made thy forces to be small or none?

Un mese, o ppoco ppiù, doppo er guadaggno
De la piastra, che ffece er zanto prete,
Venne la pasqua, e 'r gabbiano che ssapete
Cominciò a lavorà de scacciaraggno.

"Ch'edè? Un bucio ar zolaro! Oh, pprete caggno",
Fece allora er babbeo che conoscete:
"Eccolo indove vanno le monete!
Va che lo scudo mio cerca er compaggno?"

Doppo infatti du' notte de respiro,
Ecchete la Badessa della muffa
A daje giù cor zolito sospiro.

"Sor don Libborio mio, basta una fuffa",
Strillò quello; "e le messe, pe sto giro,

"WHEN will my troubled soul have rest?"
The beauteous LEWIN cried;
As thro' the murky shade of night
With frantic step she hied.

"When shall those eyes my GYNNETH'S face,
My GYNNETH'S form survey ?
When shall those longing eyes again
Behold the dawn of day ?"

Cold are the dews that wet my cheek,
The night-mist damps the ground;
Appalling echoes strike mine ear,
And spectres gleam around.

The vivid lightning's transient rays
Around my temples play;
'Tis all the light my fate affords,
To mark my thorny way.

For Louise Crane


In your next letter I wish you'd say
where you are going and what you are doing;
how are the plays and after the plays
what other pleasures you're pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road gose round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green
standing alone in big black caves
and suddenly you're in a different place
where everything seems to happen in waves,

You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;

You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;