house

A leafy cot, where no dry rot
Had ever been by tenant seen,
Where ivy clung and wopses stung,
Where beeses hummed and drummed and strummed,
Where treeses grew and breezes blew -
A thatchy roof, quite waterproof,
Where countless herds of dicky-birds
Built twiggy beds to lay their heads
(My mother begs I'll make it "eggs,"
But though it's true that dickies do
Construct a nest with chirpy noise,
With view to rest their eggy joys,
'Neath eavy sheds, yet eggs and beds,
As I explain to her in vain

By this part of the century few are left who believe
in the animals for they are not there in the carved parts
of them served on plates and the pleas from the slatted trucks
are sounds of shadows that possess no future
there is still game for the pleasure of killing
and there are pets for the children but the lives that followed
courses of their own other than ours and older
have been migrating before us some are already
far on the way and yet Peter with his gaunt cheeks

Paw marks near one burrow show Graydigger
at home, I bend low, from down there swivel
my head, grasstop level--the world
goes on forever, the mountains a bigger
burrow, their snow like last winter. From a room
inside the world even the strongest wind
has a soft sound: a new house will hide
in the grass; footsteps are only the summer people.

The real estate agent is saying, "Utilities . . .
easy payments, a view." I see
my prints in the dirt. Out there
in the wind we talk about credit, security--

As the night was beginning to close in one rough September day
In the year of 1838, a steamer passed through the Fairway
Between the Farne Islands and the coast, on her passage northwards;
But the wind was against her, and the steamer laboured hard.

There she laboured in the heavy sea against both wind and tide,
Whilst a dense fog enveloped her on every side;
And the mighty billows made her timbers creak,
Until at last, unfortunately, she sprung a leak.

Then all hands rushed to the pumps, and wrought with might and main.

My stock lies dead and no increase
Doth my dull husbandry improve:
O let thy graces without cease
Drop from above!

If still the sun should hide his face,
Thy house would but a dungeon prove,
Thy works, night's captives: O let grace
Drop from above!

The dew doth ev'ry morning fall;
And shall the dew outstrip thy dove?
The dew, for which grass cannot call,
Drop from above.

Death is still working like a mole,
And digs my grave at each remove:
Let grace work too, and on my soul

It had been four days of no weather
as if nature had conceded its genius to the indoors.

They'd closed down the Bureau of Sad Endings
and my wife sat on the couch and read the paper out loud.

The evening edition carried the magic death of a child
backlit by a construction site sunrise on its front page.

I kept my back to her and fingered the items on the mantle.

Souvenirs only reminded you of buying them.

* * *

The moon hung solid over the boarded-up Hobby Shop.

So this is what it's like when love
leaves, and one is disappointed
that the body and mind continue to exist,

exacting payment from each other,
engaging in stale rituals of desire,
and it would seem the best use of one's time

is not to stand for hours outside
her darkened house, drenched and chilled,
blinking into the slanting rain.

So this is what it's like to have to
practice amiability and learn
to say the orchard looks grand this evening

as the sun slips behind scumbled clouds

And one of the elders of the city said, "Speak to us of Good and Evil."

And he answered:

Of the good in you I can speak, but not of the evil.

For what is evil but good tortured by its own hunger and thirst?

Verily when good is hungry it seeks food even in dark caves, and when it thirsts, it drinks even of dead waters.

You are good when you are one with yourself.

Yet when you are not one with yourself you are not evil.

For a divided house is not a den of thieves; it is only a divided house.

SAMUEL, Chap. xvii.

YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
Now front to front the armies were display'd,
Here Israel rang'd, and there the foes array'd;
The hosts on two opposing mountains stood,

Do you remember when I stood on the steps
Of the Court House and talked free-silver,
And the single-tax of Henry George?
Then do you remember that, when the Peerless Leader
Lost the first battle, I began to talk prohibition,
And became active in the church?
That was due to my wife,
Who pictured to me my destruction
If I did not prove my morality to the people.
Well, she ruined me:
For the radicals grew suspicious of me,
And the conservatives were never sure of me --
And here I lie, unwept of all.