The man in chrysanthemum land

There's a brave little berry-brown man
At the opposite side of the earth;
Of the White, and the Black, and the Tan,
He's the smallest in compass and girth.
O! he's little, and lively, and Tan,
And he's showing the world what he's worth.
For his nation is born, and its birth
Is for hardihood, courage, and sand,
So you take off your cap
To the brave little Jap
Who fights for Chrysanthemum Land.

Near the house that the little man keeps,
There's a Bug-a-boo building its lair;


The Maid Of The Mill's Repentance

YOUTH.

AWAY, thou swarthy witch! Go forth

From out my house, I tell thee!
Or else I needs must, in my wrath,

Expel thee!
What's this thou singest so falsely, forsooth,
Of love and a maiden's silent truth?

Who'll trust to such a story!

GIPSY.

I sing of a maid's repentant fears,

And long and bitter yearning;
Her levity's changed to truth and tears

All-burning.
She dreads no more the threats of her mother,
She dreads far less the blows of her brother,


The Magnificent

SOME wit, handsome form and gen'rous mind;
A triple engine prove in love we find;
By these the strongest fortresses are gained
E'en rocks 'gainst such can never be sustained.
If you've some talents, with a pleasing face,
Your purse-strings open free, and you've the place.
At times, no doubt, without these things, success
Attends the gay gallant, we must confess;
But then, good sense should o'er his actions rule;
At all events, he must not be a fool.
The stingy, women ever will detest;


The Lovers of the Poor

arrive. The Ladies from the Ladies' Betterment League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!


The Little Vagabond

Dear mother, dear mother, the church is cold,
But the ale-house is healthy and pleasant and warm;
Besides I can tell where I am used well,
Such usage in Heaven will never do well.

But if at the church they would give us some ale,
And a pleasant fire our souls to regale,
We'd sing and we'd pray all the live-long day,
Nor ever once wish from the church to stray.

Then the parson might preach, and drink, and sing,
And we'd be as happy as birds in the spring;


The Log Jam

1 Dere 'a s beeg jam up de reever, w'ere rapide is runnin' fas',
2 An' de log we cut las' winter is takin' it all de room;
3 So boss of de gang is swearin', for not'ing at all can pass
4 An' float away down de current till somebody break de boom.

5 'Here 's for de man will tak' de job, holiday for a week
6 Extra monee w'en pay day come, an' ten dollar suit of clothes.
7 'T is n't so hard work run de log, if only you do it quick--
8 W'ere 's de man of de gang den is ready to say, ` Here goes?''


The Listeners

"Is there anybody there?" said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grass
Of the forest's ferny floor;
And a bird flew up out of the turret,
Above the Traveller's head:
And he smote upon the door again a second time;
"Is there anybody there?" he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners


The Lawyers' Ways

I've been list'nin' to them lawyers
In the court house up the street,
An' I've come to the conclusion
That I'm most completely beat.
Fust one feller riz to argy,
An' he boldly waded in
As he dressed the tremblin' pris'ner
In a coat o' deep-dyed sin.
Why, he painted him all over
In a hue o' blackest crime,
An' he smeared his reputation
With the thickest kind o' grime,
Tell I found myself a-wond'rin',
In a misty way and dim,
How the Lord had come to fashion


The Love Song of Har Dyal

Alone upon the housetops to the North
I turn and watch the lightnings in the sky--
The glamour of thy footsteps in the North.
Come back to me, Beloved, or I die.

Below my feet the still bazar is laid--
Far, far below the weary camels lie--
The camels and the captives of thy raid.
Come back to me, Beloved, or I die!

My father's wife is old and harsh with years,
And drudge of all my father's house am I--
My bread is sorrow and my drink is tears.
Come back to me, Beloved, or I die!


The Lost Path

The garden's full of scented wallflowers,
And, save that these stir faintly, nothing stirs;
Only a distant bell in hollow chime
Cried out just now for far-forgoten time,
And three reverberate words the great bell spoke.
The knocker's made of brass, the door of oak,
And such a clamor must be loosed on air
By the knocker's blow that knock I do not dare.
The silence is a spell, and if it break,
What things, that now lie sleeping, will awake?

Are simple creatures lying there in cool


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