Closer to a bell than a bird,
that clapper ringing
the clear name
of its inventor:

by turns louder
and quieter than a clock,
its numbered face
was more literate,

triplets of alphabet
like grace notes
above each digit.

And when you dialed,
each number was a shallow hole
your finger dragged
to the silver
comma-boundary,

then the sound of the hole
traveling back
to its proper place
on the circle.

You had to wait for its return.
You had to wait.
Even if you were angry

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,

HALLO there! A glass!

Ha! the draught's truly sweet!
If for drink go my shoes,

I shall still have my feet.

A maiden and wine,

With sweet music and song,--
I would they were mine,

All life's journey along!

If I depart from this sad sphere,
And leave a will behind me here,
A suit at law will be preferr'd,
But as for thanks,--the deuce a word!
So ere I die, I squander all,
And that a proper will I call.

HIS COMRADE.

Hallo there! A glass!

Ha! the draught's truly sweet

Rise, lovers, that we may go towards heaven; we have seen this world, so let us go to that world.
No, no, for thought these two gardens are beautiful and fair, let us pass beyond these two, and go to that Gardener.
Let us go prostrating to the sea like a torrent, then let us go foaming upon the face of the sea.
Let us journey from this street of mourning to the wedding feast, let us go from this saffron face to the face of the Judas tree blossom.
Trembling like a leaf and twig from fear of falling, our hearts are throbbing; let us go to the Abode of Security.

I'm going out and get something.
I don't know what.
I don't care.
Whatever's out there, I'm going to get it.
Look in those shop windows at boxes
and boxes of Reeboks and Nikes
to make me fly through the air
like Michael Jordan
like Magic.
While I'm up there, I see Spike Lee.
Looks like he's flying too
straight through the glass
that separates me
from the virtual reality
I watch everyday on TV.
I know the difference between
what it is and what it isn't.
Just because I can't touch it
doesn't mean it isn't real.

1903 -- After Boer War


Duly with knees that feign to quake--
Bent head and shaded brow,--
Yet once again, for my father's sake,
In Rimmon's House I bow.

The curtains part, the trumpet blares,
And the eunuchs howl aloud;
And the gilt, swag-bellied idol glares
Insolent over the crowd.

"This is Rimmon, Lord of the Earth--
"Fear Him and bow the knee!"
And I watch my comrades hide their mirth
That rode to the wars with me.

For we remember the sun and the sand
And the rocks whereon we trod,

IN ev'ry age, at Naples, we are told,
Intrigue and gallantry reign uncontrolled;
With beauteous objects in abundance blessed.
No country round so many has possessed;
Such fascinating charms the FAIR disclose,
That irresistibly soft passion flows.

'MONG these a belle, enchanting to behold,
Was loved by one, of birth and store of gold;
Minutolo (and Richard) was his name,
In Cupid's train a youth of brilliant fame:
'Tween Rome and Paris none was more gallant,
And num'rous hearts were for him known to pant.

Because he was a butcher and thereby
Did earn an honest living (and did right),
I would not have you think that Reuben Bright
Was any more a brute than you or I;
For when they told him that his wife must die,
He stared at them, and shook with grief and fright,
And cried like a great baby half that night,
And made the women cry to see him cry.

And after she was dead, and he had paid
The singers and the sexton and the rest,
He packed a lot of things that she had made
Most mournfully away in an old chest