house

They brought me ambrotypes
Of the old pioneers to enlarge.
And sometimes one sat for me—
Some one who was in being
When giant hands from the womb of the world
Tore the republic.
What was it in their eyes?—
For I could never fathom
That mystical pathos of drooped eyelids,
And the serene sorrow of their eyes.
It was like a pool of water,
Amid oak trees at the edge of a forest,
Where the leaves fall,
As you hear the crow of a cock
From a far-off farm house, seen near the hills

Maud went to college.
Sadie stayed home.
Sadie scraped life
With a fine toothed comb.

She didn't leave a tangle in
Her comb found every strand.
Sadie was one of the livingest chicks
In all the land.

Sadie bore two babies
Under her maiden name.
Maud and Ma and Papa
Nearly died of shame.

When Sadie said her last so-long
Her girls struck out from home.
(Sadie left as heritage
Her fine-toothed comb.)

Maud, who went to college,
Is a thin brown mouse.

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,

"Wondrous life!" cried Marvell at Appleton House.
Renan admired Jesus Christ "wholeheartedly."
But here dried ferns keep falling to the floor,
And something inside my head
Flaps like a worn-out blind. Royal Cortssoz is dead.
A blow to the Herald-Tribune. A closet mouse
Rattles the wrapper on the breakfast food. Renan
Admired Jesus Christ "wholeheartedly."

Flaps like a worn-out blind. Cezanne
Would break out in the quiet streets of Aix
And shout, "Le monde, c'est terrible!" Royal

Closer to a bell than a bird,
that clapper ringing
the clear name
of its inventor:

by turns louder
and quieter than a clock,
its numbered face
was more literate,

triplets of alphabet
like grace notes
above each digit.

And when you dialed,
each number was a shallow hole
your finger dragged
to the silver
comma-boundary,

then the sound of the hole
traveling back
to its proper place
on the circle.

You had to wait for its return.

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind

HALLO there! A glass!

Ha! the draught's truly sweet!
If for drink go my shoes,

I shall still have my feet.

A maiden and wine,

With sweet music and song,--
I would they were mine,

All life's journey along!

If I depart from this sad sphere,
And leave a will behind me here,
A suit at law will be preferr'd,
But as for thanks,--the deuce a word!
So ere I die, I squander all,
And that a proper will I call.

HIS COMRADE.

Hallo there! A glass!

1903 -- After Boer War


Duly with knees that feign to quake--
Bent head and shaded brow,--
Yet once again, for my father's sake,
In Rimmon's House I bow.

The curtains part, the trumpet blares,
And the eunuchs howl aloud;
And the gilt, swag-bellied idol glares
Insolent over the crowd.

"This is Rimmon, Lord of the Earth--
"Fear Him and bow the knee!"
And I watch my comrades hide their mirth
That rode to the wars with me.

For we remember the sun and the sand

Rise, lovers, that we may go towards heaven; we have seen this world, so let us go to that world.
No, no, for thought these two gardens are beautiful and fair, let us pass beyond these two, and go to that Gardener.
Let us go prostrating to the sea like a torrent, then let us go foaming upon the face of the sea.
Let us journey from this street of mourning to the wedding feast, let us go from this saffron face to the face of the Judas tree blossom.