house

The room was penurious and common,
Hidden over a disreputable tavern,
The alley could be seen from the window,
Unclean and narrow. From below
Came the voices of a few workmen
Who were playing cards and having a good time.

There on the vulgar on the humble bed
I had the body of love, I had the lips,
The sensuous, the rosy lips of wine,
Rosy with such a wine, that even now
Here as I write, after so many years,
In my solitary house, I am drunk again.

940

On that dear Frame the Years had worn
Yet precious as the House
In which We first experienced Light
The Witnessing, to Us—

Precious! It was conceiveless fair
As Hands the Grave had grimed
Should softly place within our own
Denying that they died.

146

On such a night, or such a night,
Would anybody care
If such a little figure
Slipped quiet from its chair—

So quiet—Oh how quiet,
That nobody might know
But that the little figure
Rocked softer—to and fro—

On such a dawn, or such a dawn—
Would anybody sigh
That such a little figure
Too sound asleep did lie

For Chanticleer to wake it—
Or stirring house below—
Or giddy bird in orchard—
Or early task to do?

There was a little figure plump

The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.

We passed each other, turned and stopped for half an hour, then went our way,
I who make other women smile did not make you--
But no man can move mountains in a day.
So this hard thing is yet to do.

But first I want your life:--before I die I want to see
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there lies
A haunting purple bloom: is there not something in grey skies
And in grey sea?

On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?

Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere

So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror

What is our life? a play of passion;
Our mirth the musick of division:
Our mother's wombes the tyring houses bee
Where wee are drest for tyme's short comedy:
The earth's the stage, heaven the spectator is,
Who marketh still whoere doth act amisse:
Our graves that hide us from the burning sunne
Are but drawne curtaynes when the play is done

You that affright with lamentable notes
The servants from their beef, whose hungry throats
Vex the grume porter's surly conscience:
That blesse the mint for coyning lesse than pence:
You whose unknown and meanly payd desarts
Begge silently within, and knocke at hearts:
You whose commanding worth makes men beleeve
That you a kindnesse give when you receave:
All sorts of them that want, your tears now lend:
A House-keeper, a Patron, and a Friend
Is lodged in clay. The man whose table fedde