house

O Summer Hill! if thou wert mine,
I'd order in a pipe of wine,
And ask a dozen friends to dine.
In faith, I would not spare the guineas,
But send for Pag and other ninies,
Flutes, hautboys, fiddles, pipes, and tabors,
Hussars with moustaches and sabres,
Quadrilles, and that grand waltz of Weber's,
And give a dance to all my neighbours;
And here I'd sit and quaff my fill
Among the trees of Summer Hill.
Then with bland eye careering slowly,
O'er bush-crowned ridge end valley lowly;

You have become a forge of snow-white fire,
A crucible of molten steel, O France!
Your sons are stars who cluster to a dawn
And fade in light for you, O glorious France!
They pass through meteor changes with a song
Which to all islands and all continents
Says life is neither comfort, wealth, nor fame,
Nor quiet hearthstones, friendship, wife nor child,
Nor love, nor youth's delight, nor manhood's power,
Nor many days spent in a chosen work,
Nor honored merit, nor the patterned theme

Let others speak of her shame,
I speak of my own.

O Germany, pale mother!
How soiled you are
As you sit among the peoples.
You flaunt yourself
Among the besmirched.

The poorest of your sons
Lies struck down.
When his hunger was great.
Your other sons
Raised their hands against him.
This is notorious.

With their hands thus raised,
Raised against their brother,
They march insolently around you
And laugh in your face.
This is well known.

O well is thee! King Numa,
Within thy secret cave,
Where thy bones are ever moistened
By sad Egeria’s wave;
None now have power to pilfer
The treasure of thy tomb,
And reveal the institutions
And secret Rites of Rome.
O blessed be the Senate
That stowed those books away,
Curst be the attempt of Niebuhr
To drag them into day;
Light be the pressure, Numa,
Around thy watery bed,
May no perplexing problems
Infest thy kingly head!
As thus I blessed King Numa
And struggled hard with sleep,

NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,

I could have sold him up because
His rent was long past due;
And Grimes, my lawyer, said it was
The proper thing to do:
But how could I be so inhuman?
And me a gentle-woman.

Yet I am poor as chapel mouse,
Pinching to make ends meet,
And have to let my little house
To buy enough to eat:
Why, even now to keep agoing
I have to take in sewing.

Sylvester is a widowed man,
Clerk in a hardware store;
I guess he does the best he can

A prisoner speaks:

Majority of twenty-three,
I face the Judge with joy and glee;
For am I not a lucky chap -
No more hanging, no more cap;
A "lifer," yes, but well I know
In fifteen years they'll let me go;
For I'll be pious in my prison,
Sing with gusto: Christ Is Risen;
Serve the hymn-books out on Sunday,
Sweep the chapel clean on Monday:
Such a model lag I'll be
In fifteen years they'll set me free.

Majority of twenty three,
You've helped me cheat the gallows tree.

The light along the hills in the morning
comes down slowly, naming the trees
white, then coasting the ground for stones to nominate.

Notice what this poem is not doing.

A house, a house, a barn, the old
quarry, where the river shrugs--
how much of this place is yours?

Notice what this poem is not doing.

Every person gone has taken a stone
to hold, and catch the sun. The carving
says, "Not here, but called away."

Notice what this poem is not doing.

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of

By Edward Leary.
There was an old fellow of Peterhouse,
Who said, "You could not find a neater house
Than our new Combination-Room
For a mild dissipation room."
That abandoned old Fellow of Peterhouse.
There was a boat captain of Downing,
Whose crew were in danger of drowning,
But he cried, "Swim to shore,
For I'm sure that eight more
Could not be collected in Downing."

There was a young genius of Queens',
Who was fond of explosive machines,