Mother of her who is close to my heart
Cease to chide!
For no small thing must I wander afar
From the tender arms and lips of my bride­
My love with eyes like the glowing star
In the twilight sky apart.

Coulds't thou have seen Him standing there
Ere the day was born,
With the mild high look that was like a prayer,
Thou woulds't not marvel that I must leave all
I hold most dear to answer the call
Of that wonderful morn.

We were casting our nets in the sea,
Andrew and I;
Over the mountains a young wind came

It was built of things that must not mix:
paint, cream, and water, fire and dusty oil.
You heard the water dreaming in its large
kneed pipes, up from the weir. And the cordwood
our fathers cut for the furnace stood in walls
like the sleeper-stacks of a continental railway.

The cream arrived in lorried tides; its procession
crossed a platform of workers' stagecraft: Come here
Friday-Legs! Or I'll feel your hernia--
Overalled in milk's colour, men moved the heart of milk,
separated into thousands, along a roller track--Trucks?

So you rode from the range where your brothers “select,”

Through the ghostly grey bush in the dawn---

You rode slowly at first, lest her heart should suspect

That you were glad to be gone;

You had scarcely the courage to glance back at her

By the homestead receding from view,

And you breathed with relief as you rounded the spur,

For the world was a wide world to you.



Grey eyes that grow sadder than sunset or rain,

Fond heart that is ever more true

OR THE CONTENTED METAPHYSICIAN


TO the lore of no manner of men
Would his vision have yielded
When he found what will never again
From his vision be shielded,—
Though he paid with as much of his life
As a nun could have given,
And to-night would have been as a knife,
Devil-drawn, devil-driven.

For to-night, with his flame-weary eyes
On the work he is doing,
He considers the tinder that flies
And the quick flame pursuing.
In the leaves that are crinkled and curled
Are his ashes of glory,

One grief on me is laid
Each day of every year,
Wherein no soul can aid,
Whereof no soul can hear:
Whereto no end is seen
Except to grieve again--
Ah, Mary Magdalene,
Where is there greater pain?

To dream on dear disgrace
Each hour of every day--
To bring no honest face
To aught I do or say:
To lie from morn till e'en--
To know my lies are vain--
Ah, Mary Magdalene,
Where can be greater pain?

To watch my steadfast fear
Attend mine every way
Each day of every year--
Each hour of every day:

Bother Bulleys, let us sing
   From the dawn till evening! -
For we know not that we go not
   When the day's pale pinions fold
   Unto those who sang of old.

   When I flew to Blackmoor Vale,
   Whence the green-gowned faeries hail,
Roosting near them I could hear them
   Speak of queenly Nature's ways,
   Means, and moods,--well known to fays.

   All we creatures, nigh and far

God dreamed a man;
Then, having firmly shut
Life like a precious metal in his fist
Withdrew, His labour done. Thus did begin
Our various divinity and sin.
For some to ploughshares did the metal twist,
And others—dreaming empires—straightway cut
Crowns for their aching foreheads. Others beat
Long nails and heavy hammers for the feet
Of their forgotten Lord. (Who dares to boast
That he is guiltless?) Others coined it: most
Did with it—simply nothing. (Here again
Who cries his innocence?) Yet doth remain

IF once in love, you'll soon invention find
And not to cunning tricks and freaks be blind;
The youngest 'prentice, when he feels the dart,
Grows wondrous shrewd, and studies wily art.
This passion never, we perceive, remains
In want from paucity of scheming brains.
The god of hearts so well exerts his force,
That he receives his dues as things of course.
A bucking-tub, of which a tale is told,
Will prove the case, and this I'll now unfold;
Particulars I heard some days ago,
From one who seemed each circumstance to know.

How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day . . .

I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;

I

When of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.

II

In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn

III

On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.

IV

Hence the tune came capering to me
While I traced the Rhone and Po;