kiss

DIVERTING in extreme there is a play,
Which oft resumes its fascinating sway;
Delights the sex, or ugly, fair, or sour;
By night or day:--'tis sweet at any hour.
The frolick, ev'ry where is known to fame;
Conjecture if you can, and tells its name.

THIS play's chief charm to husbands is unknown;
'Tis with the lover it excels alone;
No lookers-on, as umpires, are required;
No quarrels rise, though each appears inspired;
All seem delighted with the pleasing game:--
Conjecture if you can, and tell its name.

Open little box

We kiss your bottom and cover
Keyhole and key

The whole world lies crumpted in you
It resembles everything
Except itself

Not even your clear-sky mother
Would recognize it anymore

The rust will eat your key
Our world and us there inside
And finally you too

We kiss your four sides
And four corners
And twenty-four nails
And anything else you have

Open little box

THERE, where the swift Rhone's waters flow
Its verdant banks between;
Where fragrant myrtles bending grow,
And Rhone reflects their green;
There, where the vineyards deck the hills,
And o'er the valleys spread,
Which golden citrons' fragrance fills,
And plantains rear their head—

There stood, as sunk the lord of day,
Upon the smiling shore,
One who long watch'd the waters play,
And thought his sorrows o'er;
A Russian hero— stolen by war,
The honour of the Don;

I lash and writhe against my prison bars,
And watch with sullen eyes the gaping crowd . .
Give me my freedom and the burning stars,
The hollow sky, and crags of moonlit cloud!

Once I might range across the trackless plain,
And roar with joy, until the desert air
And wide horizons echoed it amain:
I feared no foe, for I was monarch there!

I saw my shadow on the parching sand,
When the hot sun had kissed the mountain's rim;
And when the moon rose o'er long wastes of land,

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

As thro' the land at eve we went,
And pluck'd the ripen'd ears,
We fell out, my wife and I,
O we fell out I know not why,
And kiss'd again with tears.
And blessings on the falling out
That all the more endears,
When we fall out with those we love
And kiss again with tears!
For when we came where lies the child
We lost in other years,
There above the little grave,
O there above the little grave,
We kiss'd again with tears.

WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.

ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.

My dream had never died or lived again.
As in some mystic middle state I lay;
Seeing I saw not, hearing not I heard:
Though, if I saw not, yet they told me all
So often that I speak as having seen.

For so it seemed, or so they said to me,
That all things grew more tragic and more strange;
That when our side was vanquished and my cause
For ever lost, there went up a great cry,
The Prince is slain. My father heard and ran
In on the lists, and there unlaced my casque

They say that Monte Carlo is
A sunny place for shady people;
But I'm not in the gambling biz,
And sober as a parish steeple.
so though this paradisal spot
The devil's playground of the rich is,
I love it and I love it not,
As men may sometimes fall for bitches.

I lazed beneath the sky's blue bliss,
The sea swooned with a sequin glimmer;
The breeze was shy as maiden kiss,
The palms sashayed in silken shimmr.
The peace I soaked in every pore
did me more good than ten religions . . .

Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!


"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?