The Passions. An Ode to Music

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart


The Parting

1

The chestnut steed stood by the gate
His noble master's will to wait,
The woody park so green and bright
Was glowing in the morning light,
The young leaves of the aspen trees
Were dancing in the morning breeze.
The palace door was open wide,
Its lord was standing there,
And his sweet lady by his side
With soft dark eyes and raven hair.
He smiling took her wary hand
And said, 'No longer here I stand;
My charger shakes his flowing mane
And calls me with impatient neigh.


The Nymph's Song to Hylas

I KNOW a little garden-close
Set thick with lily and red rose,
Where I would wander if I might
From dewy dawn to dewy night,
And have one with me wandering.

And though within it no birds sing,
And though no pillar'd house is there,
And though the apple boughs are bare
Of fruit and blossom, would to God,
Her feet upon the green grass trod,
And I beheld them as before!

There comes a murmur from the shore,
And in the place two fair streams are,
Drawn from the purple hills afar,


The Parting

SINCE there 's no help, come let us kiss and part--
Nay, I have done, you get no more of me;
And I am glad, yea, glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love's latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,


The Paradox

I am the mother of sorrows,
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.

I am thy priest and thy poet,
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.

White are my hands as the snowdrop;
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.

Battle and war are my minions,
Doing my will as divine;
I am the calmer of passions,


The Other One

"Gather around me, children dear;
The wind is high and the night is cold;
Closer, little ones, snuggle near;
Let's seek a story of ages old;
A magic tale of a bygone day,
Of lovely ladies and dragons dread;
Come, for you're all so tired of play,
We'll read till it's time to go to bed."

So they all are glad, and they nestle in,
And squat on the rough old nursery rug,
And they nudge and hush as I begin,
And the fire leaps up and all's so snug;
And there I sit in the big arm-chair,


The Old Moon In The New Moon's Arms

The beautiful and slender young New Moon,
In trailing robes of pink and palest blue,
Swept close to Venus, and breathed low: 'A boon,
A precious boon, I ask, dear friend, of you.'

'O queen of light and beauty, you have known
The pangs of love - its passions and alarms;
Then grant me this one favour, let my own -
My lost Old Moon be once more in my arms.'

Swift thro' the vapours and the golden mist -
The Full Moon's shadowy shape shone on the night,
The New Moon reached out clasping arms and kissed


The Old Guitar

Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.

The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.

But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face


The Pariah - Legend

Water-fetching goes the noble
Brahmin's wife, so pure and lovely;
He is honour'd, void of blemish.
And of justice rigid, stern.
Daily from the sacred river
Brings she back refreshments precious;--
But where is the pail and pitcher?
She of neither stands in need.
For with pure heart, hands unsullied,
She the water lifts, and rolls it
To a wondrous ball of crystal
This she bears with gladsome bosom,
Modestly, with graceful motion,
To her husband in the house.

She to-day at dawn of morning


The Page And The Miller's Daughter

PAGE.

WHERE goest thou? Where?
Miller's daughter so fair!

Thy name, pray?--

MILLER'S DAUGHTER.

'Tis Lizzy.

PAGE.
Where goest thou? Where?
With the rake in thy hand?

MILLER'S DAUGHTER.
Father's meadows and land

To visit, I'm busy.

PAGE.
Dost go there alone?

MILLER'S DAUGHTER.
By this rake, sir, 'tis shown

That we're making the hay;
And the pears ripen fast
In the garden at last,


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