What's greater, Pebble or Pond?
What can be known? The Unknown.
My true self runs toward a Hill
More! O More! visible.
Now I adore my life
With the Bird, the abiding Leaf,
With the Fish, the questing Snail,
And the Eye altering All;
And I dance with William Blake
For love, for Love's sake;
And everything comes to One,
As we dance on, dance on, dance on.
Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down. The worst part is this
is not from a bad movie. I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change." A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible. I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
That day her eyes were deep as night.
She had the motion of the rose,
The bird that veers across the light,
The waterfall that leaps and throws
Its irised spindrift to the sun.
She seemed a wind of music passing on.
Alone I saw her that one day
Stand in the window of my life.
Her sudden hand melted away
Under my lips, and without strife
I held her in my arms awhile
And drew into my lips her living smile, --
Now many a day ago and year!
Since when I dream and lie awake
On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.
'Twould blow like this through holt and hanger
When Uricon the city stood;
'Tis the old wind in the old anger,
But then it threshed another wood.
Then, 'twas before my time, the Roman
At yonder heaving hill would stare;
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.
There, like the wind through woods in riot,
O Thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t' explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o'er thine head.
Fain would the heav'n-born soul with her converse,
Then seek, then court her for her promis'd bliss.
Auspicious queen, thine heav'nly pinions spread,
We passed each other, turned and stopped for half an hour, then went our way,
I who make other women smile did not make you--
But no man can move mountains in a day.
So this hard thing is yet to do.
But first I want your life:--before I die I want to see
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there lies
A haunting purple bloom: is there not something in grey skies
And in grey sea?
When Faith and Love, which parted from thee never,
Had ripened thy just soul to dwell with God,
Meekly thou didst resign this earthly load
Of death, called life, which us from life doth sever.
Thy works, and alms, and all thy good endeavour,
Stayed not behind, nor in the grave were trod;
But, as Faith pointed with her golden rod,
Followed thee up to joy and bliss for ever.
Love led them on; and Faith, who knew them best
Thy handmaids, clad them o’er with purple beams
And azure wings, that up they flew so drest,
Because you have thrown off your Prelate Lord,
And with stiff vows renounced his Liturgy,
To seize the widowed whore Plurality,
From them whose sin ye envied, not abhorred,
Dare ye for this adjure the civil sword
To force our consciences that Christ set free,
And ride us with a Classic Hierarchy,
Taught ye by mere A. S. and Rutherford?
Men whose life, learning, faith, and pure intent,
Would have been held in high esteem with Paul
Must now be named and printed heretics
What is our life? a play of passion;
Our mirth the musick of division:
Our mother's wombes the tyring houses bee
Where wee are drest for tyme's short comedy:
The earth's the stage, heaven the spectator is,
Who marketh still whoere doth act amisse:
Our graves that hide us from the burning sunne
Are but drawne curtaynes when the play is done
There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.
There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.
There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges
