Mother of all the high-strung poets and singers departed,
Mother of all the grass that weaves over their graves the glory of the field,
Mother of all the manifold forms of life, deep-bosomed, patient, impassive,
Silent brooder and nurse of lyrical joys and sorrows!
Out of thee, yea, surely out of the fertile depth below thy breast,
Issued in some strange way, thou lying motionless, voiceless,
All these songs of nature, rhythmical, passionate, yearning,
Coming in music from earth, but not unto earth returning.

We are what we repeatedly do.
—Aristotle

You know how it is waking
from a dream certain you can fly
and that someone, long gone, returned

and you are filled with longing,
for a brief moment, to drive off
the road and feel nothing

or to see the loved one and feel
everything. Perhaps one morning,
taking brush to hair you'll wonder

how much of your life you've spent
at this task or signing your name
or rising in fog in near darkness

to ready for work. Day begins
with other people's needs first

In what a strange bewilderment do we
Awake each morn from out the brief night's sleep.
Our struggling consciousness doth grope and creep
Its slow way back, as if it could not free
Itself from bonds unseen. Then Memory,
Like sudden light, outflashes from its deep
The joy or grief which it had last to keep
For us; and by the joy or grief we see
The new day dawneth like the yesterday;
We are unchanged; our life the same we knew
Before. I wonder if this is the way
We wake from death's short sleep, to struggle through

422

More Life—went out—when He went
Than Ordinary Breath—
Lit with a finer Phosphor—
Requiring in the Quench—

A Power of Renowned Cold,
The Climate of the Grave
A Temperature just adequate
So Anthracite, to live—

For some—an Ampler Zero—
A Frost more needle keen
Is necessary, to reduce
The Ethiop within.

Others—extinguish easier—
A Gnat's minutest Fan
Sufficient to obliterate
A Tract of Citizen—

Whose Peat lift—amply vivid—
Ignores the solemn News
That Popocatapel exists—

You are the moon, dear love, and I the sea:
The tide of hope swells high within my breast,
And hides the rough dark rocks of life’s unrest
When your fond eyes smile near in perigee.
But when that loving face is turned from me,
Low falls the tide, and the grim rocks appear,
And earth’s dim coast-line seems a thing to fear.
You are the moon, dear one, and I the sea.

I.
I stand in thought beside my father’s grave:
The grave of one who, in his old age, died
Too late perhaps, since he endured so much
Of corporal anguish, sweating bloody sweat;
But not an hour too soon—no, not an hour!
Even if through all his many years, he ne’er
Had known another ailment than decay,
Or felt one bodily pang. For his bruised heart
And wounded goodwill, wounded through its once
Samsonian vigour and too credulous trust
In that great Delilah, the harlot world,
Had done with fortune;—nay, his very tastes,

When I had money, money, O!
I knew no joy till I went poor;
For many a false man as a friend
Came knocking all day at my door.
Then felt I like a child that holds
A trumpet that he must not blow
Because a man is dead; I dared
Not speak to let this false world know.
Much have I thought of life, and seen
How poor men’s hearts are ever light;
And how their wives do hum like bees
About their work from morn till night.
So, when I hear these poor ones laugh,
And see the rich ones coldly frown—
Poor men, think I, need not go up

This golden head has wit in it. I live
Again, and a far higher life, near her.
Some women like a young philosopher;
Perchance because he is diminutive.
For woman's manly god must not exceed
Proportions of the natural nursing size.
Great poets and great sages draw no prize
With women: but the little lap-dog breed,
Who can be hugged, or on a mantel-piece
Perched up for adoration, these obtain
Her homage. And of this we men are vain?
Of this! 'Tis ordered for the world's increase
Small flattery! Yet she has that rare gift

What are we first? First, animals; and next
Intelligences at a leap; on whom
Pale lies the distant shadow of the tomb,
And all that draweth on the tomb for text.
Into which state comes Love, the crowning sun:
Beneath whose light the shadow loses form.
We are the lords of life, and life is warm.
Intelligence and instinct now are one.
But nature says: 'My children most they seem
When they least know me: therefore I decree
That they shall suffer.' Swift doth young Love flee,
And we stand wakened, shivering from our dream.

You like not that French novel? Tell me why.
You think it quite unnatural. Let us see.
The actors are, it seems, the usual three:
Husband, and wife, and lover. She--but fie!
In England we'll not hear of it. Edmond,
The lover, her devout chagrin doth share;
Blanc-mange and absinthe are his penitent fare,
Till his pale aspect makes her over-fond:
So, to preclude fresh sin, he tries rosbif.
Meantime the husband is no more abused:
Auguste forgives her ere the tear is used.
Then hangeth all on one tremendous IF:--