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Lip-Stick Liz

I

Oh Lip-Stick Liz was in the biz, That's the oldest known in history;
She had a lot of fancy rags, Of her form she made no myst'ry.
She had a man, a fancy man, His name was Alexander,
And he used to beat her up because he couldn't understand her.
II
Now Lip-Stick Liz she loved her man And she couldn't love no other
So when she saw him with a Broadway Blonde, Her rage she could not smother.
She saw him once and she saw him twice But the third time nearly crazed her,
So she walked bang into a hardware store, And she bought a brand new razor.
III

Lines on the Opening of a Spring Campaign

Spring! thy impatient bloom restrain!
Nor wake so soon thy genial power;
For deeds of death must hail thy reign,
And clouds of fate around thee lower:....

In vain thy balmy breath to me
Scents with its sweets the evening gale;
In vain the violet's charms I see,
Or fondly mark thy primrose pale:

To me thy softest zephyrs breathe
Of sorrow's soul-disparting tone;
To me thy most attractive wreath
Seems tinged with human blood alone.

Arrest thy steps, thou source of love,
Thou genial friend of joy and life!

Lines on the Death of Julia

Accept, bright spirit, reft in life's best bloom
This votive wreath to thy untimely tomb.
Formed to adorn all scenes, and charm in all,
The fire-side circle, and the courtly hall;
Thy friends to gladden, and thy home to bless;---
Fair form thou hadst, and grace, and graciousness;
A mind that sought, a tongue that spoke, the truth,
And thought mature beneath the smiles of youth.
Dear, dear young friend! ingenuous, cordial heart!
And can it be, that thou shouldst first depart?
That age should sorrow o'er thy youthful shrine?

Lines On Seeing Schiller's Skull

WITHIN a gloomy charnel-house one day

I view'd the countless skulls, so strangely mated,
And of old times I thought, that now were grey.

Close pack'd they stand, that once so fiercely hated,
And hardy bones, that to the death contended,

Are lying cross'd,--to lie for ever, fated.
What held those crooked shoulder-blades suspended?

No one now asks; and limbs with vigour fired,
The hand, the foot--their use in life is ended.

Vainly ye sought the tomb for rest when tired;
Peace in the grave may not be yours; ye're driven

Lines Inscribed Upon A Cup Formed From A Skull

Start not—nor deem my spirit fled:
In me behold the only skull
From which, unlike a living head,
Whatever flows is never dull.

I lived, I loved, I quaffed like thee;
I died: let earth my bones resign:
Fill up—thou canst not injure me;
The worm hath fouler lips than thine.

Better to hold the sparkling grape
Than nurse the earthworm's slimy brood,
And circle in the goblet's shape
The drink of gods than reptile's food.

Where once my wit, perchance, hath shone,
In aid of others' let me shine;

Lines from

I'd rather have my verses win
A place in common people's hearts,
Who, toiling through the strife and din
Of life's great thoroughfares, and marts,

May read some line my hand has penned;
Some simple verse, not fine, or grand,
But what their hearts can understand
And hold me henceforth as a friend,--

I'd rather win such quiet fame
Than by some fine thought, bolished so
But those of learned minds would know,
Just what the meaning of my song,--
To have the critics sound my name
In high-flown praises, loud and long.

Limitations

If you could crowd them into forty lines!
Yes; you can do it, once you get a start;
All that you want is waiting in your head,
For long-ago you’ve learnt it off by heart.

. . . .
Begin: your mind’s the room where you have slept,
(Don’t pause for rhymes), till twilight woke you early.
The window stands wide-open, as it stood
When tree-tops loomed enchanted for a child
Hearing the dawn’s first thrushes through the wood
Warbling (you know the words) serene and wild.

You’ve said it all before: you dreamed of Death,

Lilian Stewart

I was the daughter of Lambert Hutchins,
Born in a cottage near the grist-mill,
Reared in the mansion there on the hill,
With its spires, bay-windows, and roof of slate.
How proud my mother was of the mansion!
How proud of father's rise in the world!
And how my father loved and watched us,
And guarded our happiness.
But I believe the house was a curse,
For father's fortune was little beside it;
And when my husband found he had married
A girl who was really poor,
He taunted me with the spires,
And called the house a fraud on the world,

Like Some Wild Sleeper

Like some wild sleeper who alone at night
Walks with unseeing eyes along a height,
With death below and only stars above;
I, in broad daylight, walk as if in sleep,
Along the edges of life's perilous steep,
The lost somnambulist of love.

I, in broad day, go walking in a dream,
Led on in safety by the starry gleam
Of thy blue eyes that hold my heart in thrall;
Let no one wake me rudely, lest one day,
Startled to find how far I've gone astray,
I dash my life out in my fall.

Lift Not The Painted Veil Which Those Who Live

Lift not the painted veil which those who live
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,--behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it--he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot