life

Oh Lip-Stick Liz was in the biz, That's the oldest known in history;
She had a lot of fancy rags, Of her form she made no myst'ry.
She had a man, a fancy man, His name was Alexander,
And he used to beat her up because he couldn't understand her.
II
Now Lip-Stick Liz she loved her man And she couldn't love no other
So when she saw him with a Broadway Blonde, Her rage she could not smother.
She saw him once and she saw him twice But the third time nearly crazed her,

Whoever you are as you read this,
Whatever your trouble or grief,
I want you to know and to heed this:
The day draweth near with relief.

No sorrow, no woe is unending,
Though heaven seems voiceless and dumb;
So sure as your cry is ascending,
So surely an answer will come.

Whatever temptation is near you,
Whose eyes on this simple verse fall;
Remember good angels will hear you
And help you to stand, if you call.

Though stunned with despair I beseech you,

I'd rather have my verses win
A place in common people's hearts,
Who, toiling through the strife and din
Of life's great thoroughfares, and marts,

May read some line my hand has penned;
Some simple verse, not fine, or grand,
But what their hearts can understand
And hold me henceforth as a friend,--

I'd rather win such quiet fame
Than by some fine thought, bolished so
But those of learned minds would know,
Just what the meaning of my song,--
To have the critics sound my name

I

With cassock black, baret and book,
   Father Saran goes by;
I think he goes to say a prayer
   For one who has to die.

Even so, some day, Father Saran
   May say a prayer for me;
Myself meanwhile, the Sister tells,
   Should pray unceasingly.

They kneel who pray: how may I kneel
   Who face to ceiling lie,
Shut out by all that man has made
   From God who made the sky?

They lift who pray -- the low earth-born --
   A humble heart to God:

Spring! thy impatient bloom restrain!
Nor wake so soon thy genial power;
For deeds of death must hail thy reign,
And clouds of fate around thee lower:....

In vain thy balmy breath to me
Scents with its sweets the evening gale;
In vain the violet's charms I see,
Or fondly mark thy primrose pale:

To me thy softest zephyrs breathe
Of sorrow's soul-disparting tone;
To me thy most attractive wreath
Seems tinged with human blood alone.

Arrest thy steps, thou source of love,

Accept, bright spirit, reft in life's best bloom
This votive wreath to thy untimely tomb.
Formed to adorn all scenes, and charm in all,
The fire-side circle, and the courtly hall;
Thy friends to gladden, and thy home to bless;---
Fair form thou hadst, and grace, and graciousness;
A mind that sought, a tongue that spoke, the truth,
And thought mature beneath the smiles of youth.
Dear, dear young friend! ingenuous, cordial heart!
And can it be, that thou shouldst first depart?
That age should sorrow o'er thy youthful shrine?

WITHIN a gloomy charnel-house one day

I view'd the countless skulls, so strangely mated,
And of old times I thought, that now were grey.

Close pack'd they stand, that once so fiercely hated,
And hardy bones, that to the death contended,

Are lying cross'd,--to lie for ever, fated.
What held those crooked shoulder-blades suspended?

No one now asks; and limbs with vigour fired,
The hand, the foot--their use in life is ended.

Vainly ye sought the tomb for rest when tired;

Start not—nor deem my spirit fled:
In me behold the only skull
From which, unlike a living head,
Whatever flows is never dull.

I lived, I loved, I quaffed like thee;
I died: let earth my bones resign:
Fill up—thou canst not injure me;
The worm hath fouler lips than thine.

Better to hold the sparkling grape
Than nurse the earthworm's slimy brood,
And circle in the goblet's shape
The drink of gods than reptile's food.

Where once my wit, perchance, hath shone,
In aid of others' let me shine;

If you could crowd them into forty lines!
Yes; you can do it, once you get a start;
All that you want is waiting in your head,
For long-ago you’ve learnt it off by heart.

. . . .
Begin: your mind’s the room where you have slept,
(Don’t pause for rhymes), till twilight woke you early.
The window stands wide-open, as it stood
When tree-tops loomed enchanted for a child
Hearing the dawn’s first thrushes through the wood
Warbling (you know the words) serene and wild.

It may be misery not to sing at all,
And to go silent through the brimming day;
It may be misery never to be loved,
But deeper griefs than these beset the way.

To sing the perfect song,
And by a half-tone lost the key,
There the potent sorrow, there the grief,
The pale, sad staring of Life's Tragedy.

To have come near to the perfect love,
Not the hot passion of untempered youth,
But that which lies aside its vanity,
And gives, for thy trusting worship, truth.