When we were building Skua Light--
The first men who had lived a night
Upon that deep-sea Isle--
As soon as chisel touched the stone,
The friendly seals would come ashore;
And sit and watch us all the while,
As though they'd not seen men before;
And so, poor beasts, had never known
Men had the heart to do them harm.
They'd little cause to feel alarm
With us, for we were glad to find
Some friendliness in that strange sea;
Only too pleaed to let them be
And sit as long as they'd a mind

THE warder looks down at the mid hour of night,
On the tombs that lie scatter'd below:
The moon fills the place with her silvery light,
And the churchyard like day seems to glow.

When see! first one grave, then another opes wide,
And women and men stepping forth are descried,
In cerements snow-white and trailing.

In haste for the sport soon their ankles they twitch,
And whirl round in dances so gay;
The young and the old, and the poor, and the rich,
But the cerements stand in their way;

Take the name of the swain, a forlorn witless elf
Who was chang'd to a flow'r for admiring himself.
A part deem'd essential in each lady's dress
With what maidens cry when they wish to say yes.
A lullabye carriage, soft, cozy and light
With the name of the Poet who sang on the night.

The queen of Cairo, all lovely and winning
Whose blandishments ever kept Antony grinning.
The flow'r whose odors unremittingly please:
With the glory of forests, the king of the trees.
To the prince of the fairies, a jealous old knave,

See how, like lightest waves at play, the airy dancers fleet;
And scarcely feels the floor the wings of those harmonious feet.
Ob, are they flying shadows from their native forms set free?
Or phantoms in the fairy ring that summer moonbeams see?
As, by the gentle zephyr blown, some light mist flees in air,
As skiffs that skim adown the tide, when silver waves are fair,
So sports the docile footstep to the heave of that sweet measure,
As music wafts the form aloft at its melodious pleasure,
Now breaking through the woven chain of the entangled dance,

This, then, is she,
My mother as she looked at seventeen,
When she first met my father. Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,

Now mirk December's dowie face
Glours our the rigs wi' sour grimace,
While, thro' his minimum of space,
The bleer-ey'd sun
Wi' blinkin light and stealing pace,
His race doth run.

From naked groves nae birdie sings,
To shepherd's pipe nae hillock rings,
The breeze nae od'rous flavour brings
From Borean cave,
And dwyning nature droops her wings,
Wi' visage grave.

Mankind but scanty pleasure glean
Frae snawy hill or barren plain,

Poor Tray charmant!
Poor Tray de mon Ami!
-- Dog-bury, and Vergers.


Oh! where shall I bury my poor dog Tray,
Now his fleeting breath has pass'd away?
Seventeen years, I can venture to say,
Have I seen him gambol, and frolic, and play,
Evermore happy, and frisky, and gay,
As though every one of his months was May,
And the whole of his life one long holiday --
Now he's a lifeless lump of clay,
Oh! where shall I bury my faithful Tray?

I am almost tempted to think it hard

King Saloman looked from his donjon bars,
Where the Danube clamors through sedge and sand,
And he cursed with a curse his revolting land,-
With a king's deep curse of treason and wars.

He said: "May this false land know no truth!
May the good hearts die and the bad ones flourish,
And a greed of glory but live to nourish
Envy and hate in its restless youth.

"In the barren soil may the ploughshare rust,
While the sword grows bright with its fatal labor,
And blackens between each man and neighbor

'tis the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,

Indeed indeed it is growing very sultry
The indian feather pots are scrambling out of the room
The slow voice of the tobacconist is like a circle
Drawn on the floor in chalk and containing ants
And indeed there is a shoe upon the table
And indeed it is as regular as clockwork
Demonstrating the variability of the weather
Or denying the existence of manu altogether
For after all why should love resemble a cushion
Why should the stumbling-block float up towards the ceiling
And in our attic it is always said