In the dream of the Northern poets,
The brave who in battle die
Fight on in shadowy phalanx
In the field of the upper sky;
And as we read the sounding rhyme,
The reverent fancy hears
The ghostly ring of the viewless swords
And the clash of the spectral spears.

We think with imperious questionings
Of the brothers whom we have lost,
And we strive to track in death's mystery
The flight of each valiant ghost.
The Northern myth comes back to us,
And we feel, through our sorrow's night,

906

The Admirations—and Contempts—of time—
Show justest—through an Open Tomb—
The Dying—as it were a Height
Reorganizes Estimate
And what We saw not
We distinguish clear—
And mostly—see not
What We saw before—

'Tis Compound Vision—
Light—enabling Light—
The Finite—furnished
With the Infinite—
Convex—and Concave Witness—
Back—toward Time—
And forward—
Toward the God of Him—

I tell you a tale to-night
Which a seaman told to me,
With eyes that gleamed in the lanthorn light
And a voice as low as the sea.

You could almost hear the stars
Twinkling up in the sky,
And the old wind woke and moaned in the spars
And the same old waves went by.

Singing the same old song
As ages and ages ago,
While he froze my blood in that deep-sea night
With the things he seemed to know.

A bare foot pattered on deck;
Ropes creaked; then-all grew still,
And he pointed his finger straight in my face

LOVE, I renounce thy tyrant sway,
I mock thy fascinating art,
MINE, be the calm unruffled day,
That brings no torment to the heart;
The tranquil mind, the noiseless scene,
Where FANCY, with enchanting mien,
Shall in her right-hand lead along
The graceful patroness of Song;
Where HARMONY shall softly fling
Her light tones o'er the dulcet string;
And with her magic LYRE compose
Each pang that throbs, each pulse that glows;
Till her resistless strains dispense,
The balm of blest INDIFFERENCE.

The voice that from the glory came
To tell how Moses died unseen,
And waken Joshua's spear of flame
To victory on the mountains green,
Its trumpet tones are sounding still,
When Kings or Parents pass away,
They greet us with a cheering thrill
Of power and comfort in decay.

Behind thus soft bright summer cloud
That makes such haste to melt and die,
Our wistful gaze is oft allowed
A glimpse of the unchanging sky:
Let storm and darkness do their worst;
For the lost dream the heart may ache,

Mid-9th century

Good-looking young man
in your Crimean shirt
with your willow shield
up, as if to face spears,

you're inside their men's Law,
one church they do obey;
they'll remember you were here.
Keep fending off their casts.

Don't come out of character.
Like you they suspect
idiosyncrasy of witchcraft.
Above all, don't get out

too easily, and have to leave here
where all missiles are just leather
and come from one direction.
Keep it noble. Keep it light.

What a day to dismantle a roller-coaster.
Well, they are taking it down--
the tracks are all over the ground
and the ties drawn up. The ticket office
is shut, the calliope covered with tarps.

These workmen move their rides
from town to town, with the weather,
and a day gained dismantling
is a day to them. They are grateful
for the day gained, and for the silence
in a park where only ducks and I remain.

As if against the numb fall sky,
sounds of hammers and crowbars
and the changing voice of one man's oldest son

Hark! o'er the silent waters stealing,
The dash of oars sounds soft and clear:
Through night's deep veil, all forms concealing,
Nearer it comes, and yet more near.

See! where the long reflection glistens,
In yon lone tower her watch-light burns:
To hear our distant oars she listens,
And, listtening, strikes the harp by turns.

The stars are bright, the skies unclouded;
No moonbeam shines; no breezes wake:
Is it my love, in darkness shrouded,
Whose dashing oar disturbs the lake?

I

Shakespeare and Milton--what third blazoned name
Shall lips of after-ages link to these?
His who, beside the wide encircling seas,
Was England's voice, her voice with one acclaim,
For threescore years; whose word of praise was fame,
Whose scorn gave pause to man's iniquities.

II

What strain was his in that Crimean war?
A bugle call in battle; a low breath,
Plaintive and sweet, above the fields of death!
So year by year the music rolled afar,
From Euxine wastes to flowery Kandahar,

I.

'tis the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,