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Sonnet I

Down the strait vistas where a city street
Fades in pale dust and vaporous distances,
Stained with far fumes the light grows less and less
And the sky reddens round the day's retreat.
Now out of orient chambers, cool and sweet,
Like Nature's pure lustration, Dusk comes down.
Now the lamps brighten and the quickening town
Rings with the trample of returning feet.
And Pleasure, risen from her own warm mould
Sunk all the drowsy and unloved daylight
In layers of odorous softness, Paphian girls

Sonnet 88 When thou shalt be disposed to set me light

When thou shalt be disposed to set me light
And place my merit in the eye of scorn,
Upon thy side, against myself I'll fight,
And prove thee virtuous, though thou art forsworn.
With mine own weakness being best acquainted,
Upon thy part I can set down a story
Of faults concealed, wherein I am attainted,
That thou in losing me shalt win much glory.
And I by this will be a gainer too;
For bending all my loving thoughts on thee,
The injuries that to myself I do,
Doing thee vantage, double-vantage me.
Such is my love, to thee I so belong,

Sonnet 7 Lo, in the orient when the gracious light

Lo, in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climbed the steep-up heavenly hill,
Resembling strong youth in his middle age,
Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, 'fore duteous, now converted are
From his low tract and look another way.
So thou, thyself outgoing in thy noon,

Sonnet 60 Like as the waves make towards the pebbled shore

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity once in the main of light,
Crawls to maturity, wherewith being crowned,
Crookèd eclipses 'gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty's brow,
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow.

Sonnet 43 When most I wink, then do mine eyes best see

When most I wink, then do mine eyes best see,
For all the day they view things unrespected;
But when I sleep, in dreams they look on thee,
And darkly bright, are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow's form, form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy shade shines so!
How would, I say, mine eyes be blessèd made,
By looking on thee in the living day,
When in dead night thy fair imperfect shade
Through heavy sleep on sightless eyes doth stay!

Sonnet 43 - How do I love thee Let me count the ways

XLIII

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,

Sonnet 38 How can my Muse want subject to invent

How can my Muse want subject to invent
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O, give thyself the thanks, if aught in me
Worthy perusal stand against thy sight,
For who's so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.

Sonnet 36 - When we met first and loved, I did not build

XXXVI

When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear . . . O love, O troth . . .
Lest these enclasped hands should never hold,
This mutual kiss drop down between us both

Sonnet 30 - I see thine image through my tears to-night

XXX

I see thine image through my tears to-night,
And yet to-day I saw thee smiling. How
Refer the cause?—Beloved, is it thou
Or I, who makes me sad? The acolyte
Amid the chanted joy and thankful rite
May so fall flat, with pale insensate brow,
On the altar-stair. I hear thy voice and vow,
Perplexed, uncertain, since thou art out of sight,
As he, in his swooning ears, the choir's Amen.
Beloved, dost thou love? or did I see all
The glory as I dreamed, and fainted when
Too vehement light dilated my ideal,

Sonnet 28 - My letters all dead paper, mute and white

XXVIII

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand . . . a simple thing,
Yet I wept for it!—this, . . . the paper's light . . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled