Dropp’d feather from the wings of God
My little songs and snatches are,
So light He does not hear them fall
As He goes by, from star to star.
Dropp’d feathers from the wings of God
I find, and braid them in my hair;
Men heed them not--they only make
My soul unto herself more fair.

In the same way that the mindless diamond keeps
one spark of the planet's early fires
trapped forever in its net of ice,
it's not love's later heat that poetry holds,
but the atom of the love that drew it forth
from the silence: so if the bright coal of his love
begins to smoulder, the poet hears his voice
suddenly forced, like a bar-room singer's -- boastful
with his own huge feeling, or drowned by violins;
but if it yields a steadier light, he knows
the pure verse, when it finally comes, will sound

Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee.
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up--
The loves which are to me of vital worth,
My passion and my pleasure in the earth--
And lost forever in thy magic cup!
I fear, I fear my truly human heart

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,

Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills
begin,

Don't look.
The world's about to break.

Don't look.
The world's about to chuck out all its light
and stuff us in the chokepit of its dark,
That black and fat suffocated place
Where we will kill or die or dance or weep
Or scream of whine or squeak like mice
To renegotiate our starting price.

'My age, my beast!' - Osip Mandelstam

On the lips a taste of tolling we are blind
The light drifts like dust over faces
We wear masks on our genitals
You've heard of lighting cigarettes with banknotes we used to light ours with Jews
History is made of bricks you can't go through it
And bricks are made of bones and blood and
Bones and blood are made of little tiny circles that nothing can go through
Except a piano with rabies
Blood gushes into, not from, our wounds
Vietnamese Cuban African bloods
Constellations of sperm upon our bodies

At your light side trees shy
A kneeling enters them

At your light side trees shy
A kneeling enters them

Pleasant are Thy courts above,
In the land of light and love;
Pleasant are Thy courts below
In this land of sin and woe;
O, my spirit longs and faints
For the converse of Thy saints,
For the brightness of Thy face,
For Thy fullness, God of grace.

Happy birds that sing and fly
Round Thy altars, O most High;
Happier souls that find a rest
In a heavenly Father’s breast;
Like the wandering dove that found
No repose on earth around,
They can to their ark repair,
And enjoy it ever there.

Happy souls, their praises flow