Go, for they call you, shepherd, from the hill;
Go, shepherd, and untie the wattled cotes!
No longer leave thy wistful flock unfed,
Nor let thy bawling fellows rack their throats,
Nor the cropp'd herbage shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch'd green.
Come, shepherd, and again begin the quest!

Here, where the reaper was at work of late--
In this high field's dark corner, where he leaves

We have all of us read how the Israelites fled
From Egypt with Pharaoh in eager pursuit of 'em,
And Pharaoh's fierce troop were all put "in the soup"
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had"
That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo --
Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears
In deserts with never a famine to follow by,
The Israelite horde went roaming abroad

Across the lonely beach we flit,
One little sandpiper and I,
And fast I gather, but by bit,
The scattered drift-wood, bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit,
One little sandpiper and I.

Above our heads the sullen clouds
Scud, black and swift, across the sky:
Like silent ghosts in misty shrouds
Stand out the white light-houses high.
Almost as far as eye can reach
I see the close-reefed vessels fly,

The boat of the boatman Madhu is moored at the wharf of Rajgunj.
It is uselessly laden with jute, and has been lying there idle
for ever so long.
If he would only lend me his boat, I should man her with a
hundred oars, and hoist sails, five or six or seven.
I should never steer her to stupid markets.
I should sail the seven seas and the thirteen rivers of
fairyland.
But, mother, you won't weep for me in a corner.
I am not going into the forest like Ramachandra to come back
only after fourteen years.

When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong
sometimes bald clouds in saffron robes assemble
sacred to the evening,
sacred even to Ramlochan,
singing Indian hits from his jute hammock
while evening strokes the flanks
and silver horns of his maroon taxi,

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.

I

ENOUGH of rose-bud lips, and eyes
Like harebells bathed in dew,
Of cheek that with carnation vies,
And veins of violet hue;
Earth wants not beauty that may scorn
A likening to frail flowers;
Yea, to the stars, if they were born
For seasons and for hours.

Through Moscow's gates, with gold unbarred,
Stepped One at dead of night,
Whom such high beauty could not guard
From meditated blight;
By stealth she passed, and fled as fast
As doth the hunted fawn,

See, Mignonne, hath not the Rose,
That this morning did unclose
Her purple mantle to the light,
Lost, before the day be dead,
The glory of her raiment red,
Her colour, bright as yours is bright?

Ah, Mignonne, in how few hours,
The petals of her purple flowers
All have faded, fallen, died;
Sad Nature, mother ruinous,
That seest thy fair child perish thus
‘Twixt matin song and even tide.

Hear me, my darling, speaking sooth,
Gather the fleet flower of your youth,
Take ye your pleasure at the best;

Sometimes when I have dropped asleep,
Draped in soft luxurious gloom,
Across my drowsy mind will creep
The memory of another room,
Where resinous knots in roofboards made
A frescoing of light and shade,
And sighing poplars brushed their leaves
Against the humbly sloping eaves.

Again I fancy in my dreams
I'm lying in my trundle-bed.
I seem to see the bare old beams
And unhewn rafters overhead;
The hornet's shrill falsetto hum
I hear again, and see him come
Forth from his mud-walled hanging house,

Before the Roman came to Rye or out to Severn strode,
The rolling English drunkard made the rolling English road.
A reeling road, a rolling road, that rambles round the shire,
And after him the parson ran, the sexton and the squire;
A merry road, a mazy road, and such as we did tread
The night we went to Birmingham by way of Beachy Head.

I knew no harm of Bonaparte and plenty of the Squire,
And for to fight the Frenchman I did not much desire;
But I did bash their baggonets because they came arrayed