With their harsh leaves old rhododendrons fill
The crevices in grave plots' broken stones.
The bees renew the blossoms they destroy,
While in the burning air the pines rise still,
Commemorating long forgotten biers.
Their roots replace the semblance of these bones.

The weight of cool, of imperceptible dust
That came from nothing and to nothing came
Is light within the earth and on the air.
The change that so renews itself is just.
The enormous, sundry platitude of death
Is for these bones, bees, trees, and leaves the same.

O! The spring-time of life is the season of blooming,
And the morning of love is the season of joy;
Ere noontide and summer, with radiance consuming,
Look down on their beauty, to parch and destroy.
0! faint are the blossoms life's pathway adorning,
When the first magic glory of hope is withdrawn;
For the flowers of the spring, and the light of the morning,
Have no summer budding, and no second dawn.

Through meadows all sunshine, and verdure, and flowers
The stream of the valley in purity flies;

FAIR OTAHEITE , fondly blest
By him who long was doom'd to brave
The fury of the Polar wave,
That fiercely mounts the frozen rock
Where the harsh sea-bird rears her nest,
And learns the raging surge to mock--
There Night, that loves eternal storm,
Deep and lengthened darkness throws,
And untried danger's doubtful form
Its half-seen horror shews!
While Nature, with a look so wild,
Leans on the cliffs, in chaos pil'd,
That here the aw'd, astonish'd mind
Forgets, in that o'erwhelming hour,
When her rude hands the storms unbind

For Grace Bulmer Bowers


From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,

Whilst the moon decks herself in Neptune's glass
And ponders over her image in the sea,
Her cloudy locks smoothing from off her face
That she may all as bright as beauty be;
It is my wont to sit upon the shore
And mark with what an even grace she glides
Her two concurrent paths of azure o'er,
One in the heavens, the other in the tides:
Now with a transient veil her face she hides
And ocean blackens with a human frown;
Now her fine screen of vapour she divides
And looks with all her light of beauty down;
Her splendid smile over-silvering the main

Thy beauty haunts me heart and soul,
Oh, thou fair Moon, so close and bright;
Thy beauty makes me like the child
That cries aloud to own thy light:
The little child that lifts each arm
To press thee to her bosom warm.

Though there are birds that sing this night
With thy white beams across their throats,
Let my deep silence speak for me
More than for them their sweetest notes:
Who worships thee till music fails,
Is greater than thy nightingales.

The moon has a face like the clock in the hall;
She shines on thieves on the garden wall,
On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.

The squalling cat and the squeaking mouse,
The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.

But all of the things that belong to the day
Cuddle to sleep to be out of her way;
And flowers and children close their eyes
Till up in the morning the sun shall arise.

Time wears her not; she doth his chariot guide;
Mortality below her orb is placed.
--Raleigh


The full-orbed moon with unchanged ray
Mounts up the eastern sky,
Not doomed to these short nights for aye,
But shining steadily.

She does not wane, but my fortune,
Which her rays do not bless,
My wayward path declineth soon,
But she shines not the less.

And if she faintly glimmers here,
And paled is her light,
Yet alway in her proper sphere
She's mistress of the night.

Beautiful Moon, with thy silvery light,
Thou seemest most charming to my sight;
As I gaze upon thee in the sky so high,
A tear of joy does moisten mine eye.

Beautiful Moon, with thy silvery light,
Thou cheerest the Esquimau in the night;
For thou lettest him see to harpoon the fish,
And with them he makes a dainty dish.

Beautiful Moon, with thy silvery light,
Thou cheerest the fox in the night,
And lettest him see to steal the grey goose away
Out of the farm-yard from a stack of hay.

Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,