ARGUMENT
A hermit parts, by means of hollow sprite,
The two redoubted rivals' dangerous play;
Rinaldo goes where Love and Hope invite,
But is dispatched by Charles another way;
Bradamont, seeking her devoted knight,
The good Rogero, nigh becomes the prey
Of Pinabel, who drops the damsel brave
Into the dungeon of a living grave.


I
Injurious love, why still to mar accord
Between desires has been thy favourite feat?
Why does it please thee so, perfidious lord,

CANTO 1

ARGUMENT
Angelica, whom pressing danger frights,
Flies in disorder through the greenwood shade.
Rinaldo's horse escapes: he, following, fights
Ferrau, the Spaniard, in a forest glade.
A second oath the haughty paynim plights,
And keeps it better than the first he made.
King Sacripant regains his long-lost treasure;
But good Rinaldo mars his promised pleasure.


I
OF LOVES and LADIES, KNIGHTS and ARMS, I sing,
Of COURTESIES, and many a DARING FEAT;

.
Twice forty months of Wedlock did I stay,
Then had my vows crown'd with a Lovely boy,
And yet in forty days he dropt away,
O swift Visissitude of humane joy.

.
I did but see him and he dis-appear'd,
I did but pluck the Rose-bud and it fell,
A sorrow unforeseen and scarcely fear'd,
For ill can mortals their afflictions spell.

.
And now (sweet Babe) what can my trembling heart
Suggest to right my doleful fate or thee,
Tears are my Muse and sorrow all my Art,
So piercing groans must be thy Elogy.

Adieu dear object of my Love's excess,
And with thee all my hopes of happiness,
With the same fervent and unchanged heart
Which did it's whole self once to thee impart,
(And which though fortune has so sorely bruis'd,
Would suffer more, to be from this excus'd)
I to resign thy dear Converse submit,
Since I can neither keep, nor merit it.
Thou hast too long to me confined been,
Who ruine am without, passion within.
My mind is sunk below thy tenderness,
And my condition does deserve it less;
I'm so entangl'd and so lost a thing

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

Fly, envious Time, till thou run out thy race,
Call on the lazy leaden-stepping hours,
Whose speed is but the heavy plummet's pace;
And glut thyself with what thy womb devours,
Which is no more than what is false and vain,
And merely mortal dross;
So little is our loss,
So little is thy gain.
For when as each thing bad thou hast intombed,
And last of all thy greedy self consumed,
Then long Eternity shall greet our bliss
With an individual kiss,
And Joy shall overtake us as a flood;
When every thing that is sincerely good

I did but prompt the age to quit their clogs
By the known rules of ancient liberty,
When straight a barbarous noise environs me
Of owls and cuckoos, asses, apes, and dogs;
As when those hinds that were transformed to frogs
Railed at Latona’s twin-born progeny,
Which after held the Sun and Moon in fee.
But this is got by casting pearl to hogs,
That bawl for freedom in their senseless mood,
And still revolt when Truth would set them free.
Licence they mean when they cry Liberty;
For who loves that must first be wise and good:

I

This is the month, and this the happy morn,
Wherein the Son of Heaven’s eternal King,
Of wedded maid and Virgin Mother born,
Our great redemption from above did bring;
For so the holy sages once did sing,
That he our deadly forfeit should release,
And with his Father work us a perpetual peace.

II

That glorious Form, that Light unsufferable,
And that far-beaming blaze of majesty,
Wherewith he wont at Heaven’s high council-table
To sit the midst of Trinal Unity,
He laid aside, and, here with us to be,

I like not tears in tune, nor do I prize
His artificial grief that scans his eyes;
Mine weep down pious beads, but why should I
Confine them to the Muses' rosary?
I am no poet here; my pen's the spout
Where the rain-water of my eyes runs out,
In pity of that name, whose fate we see
Thus copied out in grief's hydrography.
The Muses are not mermaids, though upon
His death the ocean might turn Helicon.
The sea's too rough for verse; who rhymes upon 't
With Xerxes strives to fetter th' Hellespont.

Written when the news arrived.

Toll for the brave!
The brave that are no more!
All sunk beneath the wave
Fast by their native shore.

Eight hundred of the brave,
Whose courage well was tried,
Had made the vessel heel,
And laid her on her side.

A land-breeze shook the shrouds,
And she was overset;
Down went the Royal George,
With all her crew complete.

Toll for the brave!
Brave Kempenfelt is gone;
His last sea-fight is fought,
His work of glory done.

It was not in the battle,