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Dear Colette

Dear Colette,
I want to write to you
about being a woman
for that is what you write to me.

I want to tell you how your face
enduring after thirty, forty, fifty. . .
hangs above my desk
like my own muse.

I want to tell you how your hands
reach out from your books
& seize my heart.

I want to tell you how your hair
electrifies my thoughts
like my own halo.

I want to tell you how your eyes
penetrate my fear
& make it melt.

I want to tell you
simply that I love you--

Deadly Kisses

All take these lips away; no more,
No more such kisses give to me.
My spirit faints for joy; I see
Through mists of death the dreamy shore,
And meadows by the water-side,
Where all about the Hollow Land
Fare the sweet singers that have died,
With their lost ladies, hand in hand;
Ah, Love, how fireless are their eyes,
How pale their lips that kiss and smile!
So mine must be in little while
If thou wilt kiss me in such wise.

De Profundis

I

"Percussus sum sicut foenum, et aruit cor meum."
- Ps. ci

   Wintertime nighs;
But my bereavement-pain
It cannot bring again:
   Twice no one dies.

   Flower-petals flee;
But, since it once hath been,
No more that severing scene
   Can harrow me.

   Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
   Strength long since fled!

Days of 1903

I never found them again -- the things so quickly lost....
the poetic eyes, the pale
face.... in the dusk of the street....

I never found them again -- the things acquired quite by chance,
that I gave up so lightly;
and that later in agony I wanted.
The poetic eyes, the pale face,
those lips, I never found again.

Dane-Geld

A.D. 980-1016


It is always a temptation to an armed and agile nation
To call upon a neighbour and to say:--
"We invaded you last night--we are quite prepared to fight,
Unless you pay us cash to go away."

And that is called asking for Dane-geld,
And the people who ask it explain
That you've only to pay 'em the Dane-geld
And then you'll get rid of the Dane!

It is always a temptation for a reach and lazy nation,
To puff and look important and to say:--
"Though we know we should defeat you, we have not the

Dance Of The Wounded Heart

Tread lightly through the forest branch
Quiet wanderer,
Disturb not the sleeping peace of cunning predator.
Too soon the hunter’s horn will sound the death-knell
of your tender breed.

Lap quickly the nourishing drops that flow in freshets
from a careless spring,
Tarry not long to quench your thirst
Lest your brittle life be fast extinguished
In the hungry jaws of the lurking beast.

Fly, fly at the sound of crackling leaf
The scent of death upon the air.
Stay not, wide-eyed in frozen fear

Cupid and My Campaspe

Cupid and my Campaspe played
At cards for kisses;
Cupid paid.
He stakes his quiver, bow, and arrows,
His mother's doves and team of sparrows,
Loses them too; then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how),
With these the crystal of his brow,
And then the dimple of his chin:
All these did my Campaspe win.
At last he set her both his eyes;
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas, become of me?

Cupid And Folly

Cupid, ere depriv'd of Sight,
Young and apt for all Delight,
Met with Folly on the way,
As Idle and as fond of Play.
In gay Sports the time they pass;
Now run, now wrestle on the Grass;
Their painted Wings then nimbly ply,
And ev'ry way for Mast'ry try:
'Till a Contest do's arise,
Who has won th' appointed Prize.
Gentle Love refers the Case
To the next, that comes in Place;
Trusting to his flatt'ring Wiles,
And softens the Dispute with Smiles.
But Folly, who no Temper knows,
Words pursues with hotter Blows:

Crumble-Hall

When Friends or Fortune frown on Mira's Lay,
Or gloomy Vapours hide the Lamp of Day;
With low'ring Forehead, and with aching Limbs,
Oppress'd with Head-ach, and eternal Whims,
Sad Mira vows to quit the darling Crime:
Yet takes her Farewel, and Repents, in Rhyme.

But see (more charming than Armida's Wiles)
The sun returns, and Artemisia smiles:
Then in a trice the Resolutions fly;
[And who so frolick as the Muse and I?]
We sing once more, obedient to her Call;
Once more we sing; and 'tis of Crumble-Hall;

Crowds

It is not given to every man to take a bath of multitude; enjoying a crowd is an art; and only he can relish a debauch of vitality at the expense of the human species, on whom, in his cradle, a fairy has bestowed the love of masks and masquerading, the hate of home, and the passion for roaming.

Multitude, solitude: identical terms, and interchangeable by the active and fertile poet. The man who is unable to people his solitude is equally unable to be alone in a bustling crowd.