lost

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

Never mind the day we left, or the day the women clung to us;
All we need now is the last way they looked at us.
Never mind the twelve men there amid the cheering—
Twelve men or one man, ’t will soon be all the same;
For this is what we know: we are five men together,
Five left o’ twelve men to find the golden river.

Far we came to find it out, but the place was here for all of us;
Far, far we came, and here we have the last of us.
We that were the front men, we that would be early,

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

'Tis gone, and for ever, the light we saw breaking,
Like Heaven's first dawn o'er the sleep of the dead --
When Man, from the slumber of ages awaking,
Look'd upward, and bless'd the pure ray, ere it fled.
'Tis gone, and the gleams it has left of its burning,
But deepen the long night of bondage and mourning,
That dark o'er the kingdoms of earth is returning,
And darkest of all, hapless Erin, o'er thee.

For high was thy hope, when those glories were darting
Around thee, through all the gross clouds of the world;

I remember the marvellous moment
you appeared before me,
like a transient vision,
like pure beauty’s spirit.

Lost in hopeless sadness,
lost in the loud world’s turmoil,
I heard your voice’s echo,
and often dreamed your features.

Years passed. The storm winds scattered,
with turbulent gusts, that dreaming.
I forgot your voice, its tenderness.
I forgot your lovely face.

Remote in my darkened exile,
the days dragged by so slowly,
without grace, without inspiration,

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.

There was, before me,
Mile upon mile
Of snow, ice, burning sand.
And yet I could look beyond all this,
To a place of infinite beauty;
And I could see the loveliness of her
Who walked in the shade of the trees.
When I gazed,
All was lost
But this place of beauty and her.
When I gazed,
And in my gazing, desired,
Then came again
Mile upon mile,
Of snow, ice, burning sand.

(After James Thomson)
As I came through the Valley of Despair,
As I came through the valley, onmy sight,
More awful that the darkness of the night,
Shone glimpses of a Past that had been fair,
And memories of eyes that used to smile,
And wafts of perfume from a vanished isle,
As I came through the valley.

As I came through the valley I could see,
As I came through the valley, fair and far,
As drowning men look up and see a star,
The fading shore of my lost Used-to-be;

at news of her death

Not a line of her writing have I
Not a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there;
And in vain do I urge my unsight
To conceive my lost prize
At her close, whom I knew when her dreams were upbrimming with light
And with laughter her eyes.

What scenes spread around her last days,
Sad, shining, or dim?
Did her gifts and compassions enray and enarch her sweet ways
With an aureate nimb?

The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,