Let me be to Thee as the circling bird

Let me be to Thee as the circling bird,
Or bat with tender and air-crisping wings
That shapes in half-light his departing rings,
From both of whom a changeless note is heard.
I have found my music in a common word,
Trying each pleasurable throat that sings
And every praised sequence of sweet strings,
And know infallibly which I preferred.

The authentic cadence was discovered late
Which ends those only strains that I approve,
And other science all gone out of date
And minor sweetness scarce made mention of:


Lesson

Our love has chosen its appropriate gesture
Which when viewed in the midst of all the gestures
It didn't choose seems almost insignificant.

The gesture our love has chosen is appropriate
We both agree not that we have any choice but
Amidst all those others does seem insignificant.

Is it incumbent on us thus to therefore obliterate
All of the gestures except this insignificant one
Chosen by our love for its own no doubt reasons.

It is up to us to obliterate all other gestures


Les Lauriers Sont Coupee

Ah, love, within the shadow of the wood
The laurels are cut down; some other brows
May bear the classic wreath which Fame allows
And find the burden honorable and good.
Have we not passed the laurels as they stood--
Soft in the veil with which Spring endows
The wintry glitter of their woven boughs--
Nor stopped to break the branches while we could?

Ah, love, for other brows they are cut down.
Thornless and scentless are their stems and flowers,
And cold as death their twisted coronal.


Leave Me, My Blamer XIII

Leave me, my blamer,
For the sake of the love
Which unites your soul with
That of your beloved one;
For the sake of that which
Joins spirit with mothers
Affection, and ties your
Heart with filial love. Go,
And leave me to my own
Weeping heart.


Let me sail in the ocean of
My dreams; Wait until Tomorrow
Comes, for tomorrow is free to
Do with me as he wishes. Your
Laying is naught but shadow
That walks with the spirit to
The tomb of abashment, and shows


L'Amitie To Mrs. M. Awbrey

Soule of my soule! my Joy, my crown, my friend!
A name which all the rest doth comprehend;
How happy are we now, whose sols are grown,
By an incomparable mixture, One:
Whose well acquainted minds are not as neare
As Love, or vows, or secrets can endeare.
I have no thought but what's to thee reveal'd,
Nor thou desire that is from me conceal'd.
Thy heart locks up my secrets richly set,
And my breast is thy private cabinet.
Thou shedst no teare but what but what my moisture lent,


Last Sonnet

BRIGHT Star, would I were steadfast as thou art--
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature's patient sleepless Eremite,
The moving waters at their priest-like task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still steadfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,


Last Answers

I wrote a poem on the mist
And a woman asked me what I meant by it.
I had thought till then only of the beauty of the mist,
how pearl and gray of it mix and reel,
And change the drab shanties with lighted lamps at evening
into points of mystery quivering with color.

I answered:
The whole world was mist once long ago and some day
it will all go back to mist,
Our skulls and lungs are more water than bone and tissue
And all poets love dust and mist because all the last answers


Layover

Making love in the sun, in the morning sun
in a hotel room
above the alley
where poor men poke for bottles;
making love in the sun
making love by a carpet redder than our blood,
making love while the boys sell headlines
and Cadillacs,
making love by a photograph of Paris
and an open pack of Chesterfields,
making love while other men- poor folks-
work.
That moment- to this. . .
may be years in the way they measure,
but it's only one sentence back in my mind-
there are so many days


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