Cocoon For A Skeleton

Clothes: to compose
The furtive, lone
Pillar of bone
To some repose.

To let hands shirk
Utterance behind
A pocket's blind
Deceptive smirk.

To mask, belie
The undue haste
Of breast for breast
Or thigh for thigh.

To screen, conserve
The pose, when death
Half strips the sheath
And leaves the nerve.

To edit, glose
Lyric desire
And slake its fire
In polished prose.


Submitted by Stephen Fryer


Cleon

"As certain also of your own poets have said"--
(Acts 17.28)
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")--
To Protus in his Tyranny: much health!

They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico


Chopin

I

A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz. Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,


Bridge Ghazal

My love and I reside upon the belly of a bridge
with heartbeats of the sky?--the drums upon the bridge.

I've heard of songs that rise at night from pitch black oceans.
I've heard the strums of lyrics made by four hands on a bridge.

My love and I do landscapes for the gardens of the sea.
At night we sleep as seedlings at the center of its bridge.

Once I saw a Sufi breathe in seabirds, and send them out again.
I've seen people bearing blindfolds near the entrance of a bridge.


Bookshelf

I

I like to think that when I fall,
A rain-drop in Death's shoreless sea,
This shelf of books along the wall,
Beside my bed, will mourn for me.
II
Regard it. . . . Aye, my taste is queer.
Some of my bards you may disdain.
Shakespeare and Milton are not here;
Shelly and Keats you seek in vain.
Wordsworth, Tennyson, Browning too,
Remarkably are not in view.
III
Who are they? Omar first you see,
With Vine and Rose and Nightingale,
Voicing my pet philosphy
Of Wine and Song. . . . Then Reading Gaol,


Books

Oh! Bury me in books when I am dead,
Fair quarto leaves of ivory and gold,
And silk octavos, bound in brown and red,
That tales of love and chivalry unfold.
Heap me in volumes of fine vellum wrought,
Creamed with the close content of silent speech;
Wrap me in sapphire tapestries of thought
From some old epic out of common reach.
I would my shroud were verse-embroidered too---
Your verse for preference—in starry stitch,
And powdered o’er with rhymes that poets woo,
Breathing dream-lyrics in moon-measures rich.


Boo to Buddha

So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.

We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.

What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,


Bayswater.W

About me leagues of houses lie,
Above me, grim and straight and high,
They climb; the terraces lean up
Like long grey reefs against the sky.

Packed tier on tier the people dwell;
Each narrow, hollow wall is full;
And in that hive of honeycomb,
Remote and high, I have one cell.

And when I turn into my street
I hear in murmurous retreat
A tide of noises flowing out --
The city ebbing from my feet!

And lo! two long straight walls between,
There dwells a little park serene,


Ave An Ode for the Shelley Centenary, 1892

I
O tranquil meadows, grassy Tantramar,
Wide marshes ever washed in clearest air,
Whether beneath the sole and spectral star
The dear severity of dawn you wear,
Or whether in the joy of ample day
And speechless ecstasy of growing June
You lie and dream the long blue hours away
Till nightfall comes too soon,
Or whether, naked to the unstarred night,
You strike with wondering awe my inward sight, --
II

You know how I have loved you, how my dreams


At Burgos

Miraculous silver-work in stone
Against the blue miraculous skies,
The belfry towers and turrets rise
Out of the arches that enthrone
That airy wonder of the skies.

Softly against the burning sun
The great cathedral spreads its wings;
High up, the lyric belfry sings.
Behold Ascension Day begun
Under the shadow of those wings!


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