Love and Life

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv'n o'er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
'Tis all that Heav'n allows.


Love

What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.

What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped


Look at The Clock' Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,


Long Long Ago

Long long ago I went through the castle of leaves
Yellowing slowly in the moss
And far away barnacles clung desperately to rocks in the sea
Your memory better still your tender presence was there too
Transparent and mine
Nothing had changed but everything had aged at the same rate as my temples and
my eyes
Don't you just love that platitude? Let me go it's so rare for me this ironic
satisfaction
Everything had aged except your presence
Long long ago I went through the surf on a lonely day
The waves were unreal even then


Little Sleep's-Head Sprouting Hair In The Moonlight

1

You scream, waking from a nightmare.

When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.

2

I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,


Little Pierre's Song

In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.

There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public

Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,


Lines Written in the Bay of Lerici

She left me at the silent time
When the moon had ceas'd to climb
The azure path of Heaven's steep,
And like an albatross asleep,
Balanc'd on her wings of light,
Hover'd in the purple night,
Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stay'd alone
Thinking over every tone
Which, though silent to the ear,
The enchanted heart could hear,
Like notes which die when born, but still
Haunt the echoes of the hill;


Lines to the memory of Richard Boyle, Esq

"Fate snatch'd him early to the pitying sky."

- POPE.


IF WORTH, too early to the grave consign'd,
Can claim the pitying tear, or touch the mind ?
If manly sentiments unstain'd by art,
Could waken FRIENDSHIP, or delight the heart ?
Ill-fated youth ! to THEE the MUSE shall pay
The last sad tribute of a mournful lay;
On thy lone grave shall MAY'S soft dews be shed,
And fairest flowrets blossom o'er thy head;
The drooping lily, and the snow-drop pale,
Mingling their fragrant leaves, shall there recline,


Lines to the Memory of Pitt

Oh Britain! dear Isle, when the annals of story
Shall tell of the deeds that thy children have done,
When the strains of each poet shall sing of their glory,
And the triumphs their skill and their valour have won.

When the olive and palm in thy chaplet are blended,
When thy arts, and thy fame, and thy commerce increase,
When thy arms through the uttermost coasts are extended,
And thy war is triumphant, and happy thy peace;

When the ocean, whose waves like a rampart flow round thee,


Like Some Old fashioned Miracle

302

Like Some Old fashioned Miracle
When Summertime is done—
Seems Summer's Recollection
And the Affairs of June

As infinite Tradition
As Cinderella's Bays—
Or Little John—of Lincoln Green—
Or Blue Beard's Galleries—

Her Bees have a fictitious Hum—
Her Blossoms, like a Dream—
Elate us—till we almost weep—
So plausible—they seem—

Her Memories like Strains—Review—
When Orchestra is dumb—
The Violin in Baize replaced—
And Ear—and Heaven—numb—


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