Heavy and solemn,
A cloudy column,
Through the green plain they marching came!
Measure less spread, like a table dread,
For the wild grim dice of the iron game.
The looks are bent on the shaking ground,
And the heart beats loud with a knelling sound;
Swift by the breasts that must bear the brunt,
Gallops the major along the front--
"Halt!"
And fettered they stand at the stark command,
And the warriors, silent, halt!

Proud in the blush of morning glowing,
What on the hill-top shines in flowing,

Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -

Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:

When Chewed-ear Jenkins got hitched up to Guinneyveer McGee,
His flowin' locks, ye recollect, wuz frivolous an' free;
But in old Hymen's jack-pot, it's a most amazin' thing,
Them flowin' locks jest disappeared like snow-balls in the Spring;
Jest seemed to wilt an' fade away like dead leaves in the Fall,
An' left old Chewed-ear balder than a white-washed cannon ball.

Now Missis Chewed-ear Jenkins, that wuz Guinneyveer McGee,
Wuz jest about as fine a draw as ever made a pair;
But when the boys got joshin' an' suggested it was she

Whene'er I poke
Sarcastic joke
Replete with malice spiteful,
The people vile
Politely smile
And vote me quite delightful!
Now, when a wight
Sits up all night
Ill-natured jokes devising,
And all his wiles
Are met with smiles,
It's hard, there's no disguising!
Oh, don't the days seem lank and long
When all goes right and nothing goes wrong,
And isn't your life extremely flat
With nothing whatever to grumble at!

When German bands,
From music stands
Play Wagner imperFECTly -
I bid them go -

The Soul, of late a lovely sleeping child,
Spreads sudden wings and stands in radiant guise,
Eyed like the morn and bent upon the skies;
Her the blue gulf dismays not, nor the wild
Horizons with the wrecks of thunder piled;
Storm has she known, and how its murmur dies
Starlike through stainless heavens she would rise
And be no more with cloudy dreams beguiled.
Was sleep not sweet?--sweet till on sleeping ears
Earth's voices broke in discord. Now she hears
Far, far away diviner music move;
Nor shall her wing be sated of its flight,

Nor thou, Habib, nor I are glad,
when rosy limbs and sweat entwine;
But rapture drowns the sense and self,
the wine the drawer of the wine,

And Him that planted first the grape-
o podex, in thy vault there dwells
A charm to make the member mad,
And shake the marrow of the spine.

O member, in thy stubborn strenght
a power avails on podex-sense
To boil the blood in breast and brain;
shudder the nreves incarnadine!

From me thou drawest pearly drink -
and in its pourings both are drunk.

Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

Hush! what amidst the copses crept--

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.