No More Music

The Porch was blazoned with geranium bloom;
Myrtle and jasmine meadows lit the lea;
With rose and violet the vale's perfume
Languished to where the hyacinthine sea
Dreamed tenderly . . . "And I must go," said he.

He spoke in that dim, ghostly voice of his:
"I was a singer; then the Was . . . and GAS."
(I had to lean to him, no word to miss.)
"We bought this little café nigh to Grasse;
With sun and flowers my last few days will pass.

"And music too. I have my mandolin:


Noblesse Oblige

I hold it the duty of one who is gifted
And specially dowered I all men’s sight,
To know no rest till his life is lifted
Fully up to his great gifts’ height.

He must mould the man into rare completeness,
For gems are only in gold refined.
He must fashion his thoughts into perfect sweetness,
And cast out folly and pride from his mind.

For he who drinks from a god’s gold fountain
Of art of music or rhythmic song
Must sift from his soul the chaff of malice,
And weed from his heart the roots of wrong.


No, Not More Welcome

No, not more welcome the fairy numbers
Of music fall on the sleeper's ear,
When half awaking from fearful slumbers,
He thinks the full quire of heaven is near --
Than came that voice, when, all forsaken,
This heart long had sleeping lain,
Nor thought its cold pulse would ever waken
To such benign blessed sounds again.

Sweet voice of comfort! 'twas like the stealing
Of summer wind through some wreathed shell --
Each secret winding, each inmost feeling
Of all my soul echoed to its spell.


Now, O Now in This Brown Land

Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.

A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.

Now, O now, we hear no more
The vilanelle and roundelay!


Now Moses

Now Moses, what makes you so strange and forgetful?
How is it you heed what I tell you no more?
Just look at your picture -- who would not be fretful?
Your great muddy boots on my clean kitchen floor.
And there you are smoking -- Oh dear, 'tis provoking!
To tease and torment me it is your desire;
I'll throw your old-- no sir! indeed I'm not joking --
I'll throw your old meerschaum right into the fire!

Now Moses, you'll catch it! Now Moses, don't touch it!
Now Moses, don't you hear what I say? (don't you hear it?)


Notes On An Unadorned Night

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of


Nostalgia

Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags


Nocturne Of Remembered Spring

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:


Nocturne III

One night
one night all full of murmurings, of perfumes and music of wings;
one night
in which fantastic fireflies burnt in the humid nuptial shadows,
slowly by my side, pressed altogether close, silent and pale,
as if a presentiment of infinite bitternesses
agitated you unto the most hidden fibers of your being,
along the flowering path which crosses the plain
you walked;
and the full moon
in the infinite and profound blue heavens scattered its white light;
and your shadow,


Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...


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