Three and thirty birds there stood
In an elder in a wood;
Called Melmillo -- flew off three,
Leaving thirty in the tree;
Called Melmillo -- nine now gone,
And the boughs held twenty-one;
Called Melmillo -- and eighteen
Left but three to nod and preen;
Called Melmillo -- three--two--one--
Now of birds were feathers none.

Then stole slim Me.millo in
To that wood all dusk and green,
And with lean long palms outspread
Softly a strange dance did tread;
Not a note of music she
Had for echoing company;

I
When I considered it too closely, when I wore it like an element
and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
little troublesome, a little terrible.

I pledged myself awhile ago not to seek refuge, neither in death
nor in a walled garden,
In lies nor gated loyalties, nor in the gates of contempt, that
easily lock the world out of doors.

Here on the rock it is great and beautiful, here on the foam-wet
granite sea-fang it is easy to praise

Come Jack, our place is with the ruck
On the open road today,
Not with the tepid "footpath sneak"
Or with the wise who stop away.

A straggling, tame procession, perhaps,
A butt for burgess scorn;
Its flags are ragged sentiments,
And its music's still unborn.

Though none respectable are here,
And trim officials ban,
Our duty, Jack, is not with them,
But here with Hope and Man.

Nor have we cause for shame, who see,
In the glory-lighted street,
The Old Brigade of Liberty
The partial ranks complete.

You want to know how I spend my time?
I walk the front lawn, pretending
to be weeding. You ought to know
I'm never weeding, on my knees, pulling
clumps of clover from the flower beds: in fact
I'm looking for courage, for some evidence
my life will change, though
it takes forever, checking
each clump for the symbolic
leaf, and soon the summer is ending, already
the leaves turning, always the sick trees
going first, the dying turning
brilliant yellow, while a few dark birds perform
their curfew of music. You want to see my hands?

Glory of architect, glory of painter, and sculptor, and bard,
Living forever in temple and picture and statue and song, --
Look how the world with the lights that they lit is illumined and starred,
Brief was the flame of their life, but the lamps of their art burn long!

Where is the Master of Music, and how has he vanished away?
Where is the work that he wrought with his wonderful art in the air?
Gone, -- it is gone like the glow on the cloud at the close of the day!
The Master has finished his work, and the glory of music is -- where?

When a simple English maiden,
Nested warm in Wilmicote,
Sang forth like a lark uprising
Heavenward with its morning note,
Did no English ear that listened,
Even then, foretouched by fame,
Tremble to the prophet-music
Fountain-headed in thy name,
Mary Arden?
And to thee thyself, O tell me!
Shade of Shakespeare’s mother, tell me!
Did no dazzling vision come,
Banishing all thoughts of gloom,
Of the bardic grandeurs waiting
On thy matron fate, when He
Who in time should call thee mother

The mountain brook sung lonesomelike, and loitered on its way
Ez if it waited for a child to jine it in its play;
The wild-flowers uv the hillside bent down their heads to hear
The music uv the little feet that had somehow grown so dear;
The magpies, like winged shadders, wuz a-flutterin' to an' fro
Among the rocks an' holler stumps in the ragged gulch below;
The pines an' hemlocks tosst their boughs (like they wuz arms) and made
Soft, sollum music on the slope where he had often played;
But for these lonesome, sollum voices on the mountain-side,

Music and silver chimes and sunlit air,
Freighted with the scent of honeyed orange-flower;
Glad, friendly festal faces everywhere.
She, rapt from all in this unearthly hour,
With cloudlike, cast-back veil and faint-flushed cheek,
In bridal beauty moves as in a trance
Alone with him, and fears to breathe, to speak,
Lest the rare, subtle spell dissolve perchance.
But he upon that floral head looks down,
Noting the misty eyes, the grave sweet brow--
Doubts if her bliss be perfect as his own,
And dedicates anew with inward vow

The idea danced before us as a flag;
The sound of martial music;
The thrill of carrying a gun;
Advancement in the world on coming home;
A glint of glory, wrath for foes;
A dream of duty to country or to God.
But these were things in ourselves, shining before us,
They were not the power behind us,
Which was the Almighty hand of Life,
Like fire at earth's center making mountains,
Or pent up waters that cut them through.
Do you remember the iron band
The blacksmith, Shack Dye, welded
Around the oak on Bennet's lawn,

This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

to Tommy Potter for taking the time