Think not this paper comes with vain pretense
To move your pity, or to mourn th'offense.
Too well I know that hard obdurate heart;
No softening mercy there will take my part,
Nor can a woman's arguments prevail,
When even your patron's wise example fails.
But this last privilege I still retain;
Th'oppressed and injured always may complain.
Too, too severely laws of honor bind
The weak submissive sex of womankind.
If sighs have gained or force compelled our hand,
Deceived by art, or urged by stern command,

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

NATURE, a jealous mistress, laid him low.
He woo’d and won her; and, by love made bold,
She show’d him more than mortal man should know,
Then slew him lest her secret should be told.

You've asked me what the lobster is weaving there with
his golden feet?
I reply, the ocean knows this.
You say, what is the ascidia waiting for in its transparent
bell? What is it waiting for?
I tell you it is waiting for time, like you.
You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.
You question me about the wicked tusk of the narwhal,
and I reply by describing
how the sea unicorn with the harpoon in it dies.

I

Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,

O FRIEND! I know not which way I must look
   For comfort, being, as I am, opprest,
   To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom!--We must run glittering like a brook
   In the open sunshine, or we are unblest:
   The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
   This is idolatry; and these we adore:

In Ionia whence sprang old poets' fame,
From whom that sea did first derive her name,
The blessed bed whereon the Muses lay,
Beauty of Greece, the pride of Asia,
Whence Archelaus, whom times historify,
First unto Athens brought philosophy:
In this fair region on a goodly plain,
Stretching her bounds unto the bord'ring main,
The mountain Latmus overlooks the sea,
Smiling to see the ocean billows play:
Latmus, where young Endymion used to keep
His fairest flock of silver-fleeced sheep,

In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!--From Abelard it came,
And Eloisa yet must kiss the name.

Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:

YOU meaner beauties of the night,
   That poorly satisfy our eyes
More by your number than your light,
   You common people of the skies;
   What are you when the moon shall rise?

You curious chanters of the wood,
   That warble forth Dame Nature's lays,
Thinking your passions understood
   By your weak accents; what 's your praise
   When Philomel her voice shall raise?

You violets that first appear,