The Trees like Tasselshitand swung

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The Trees like Tassels—hit—and swung—
There seemed to rise a Tune
From Miniature Creatures
Accompanying the Sun—

Far Psalteries of Summer—
Enamoring the Ear
They never yet did satisfy—
Remotest—when most fair

The Sun shone whole at intervals—
Then Half—then utter hid—
As if Himself were optional
And had Estates of Cloud

Sufficient to enfold Him
Eternally from view—
Except it were a whim of His
To let the Orchards grow—


The Violet

Upon the mead a violet stood,
Retiring, and of modest mood,

In truth, a violet fair.
Then came a youthful shepherdess,
And roam'd with sprightly joyousness,
And blithely woo'd

With carols sweet the air

"Ah!" thought the violet, "had I been
For but the smallest moment e'en

Nature's most beauteous flower,
'Till gather'd by my love, and press'd,
When weary, 'gainst her gentle breast,
For e'en, for e'en

One quarter of an hour!"

Alas! alas! the maid drew nigh,


The Village Book I

The Village Life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What form the real picture of the poor,
Demand a song--the Muse can give no more.

Fled are those times, when, in harmonious strains,
The rustic poet praised his native plains:
No shepherds now, in smooth alternate verse,
Their country's beauty or their nymphs' rehearse;


The Victory of Patience

Armed of the gods! Divinest conqueror!
What soundless hosts are thine! Nor pomp, nor state,
Nor token, to betray where thou dost wait.
All Nature stands, for thee, ambassador;
Her forces all thy serfs, for peace or war.
greatest and least alike, thou rul'st their fate,--
The avalanch chained until its century's date,
The mulberry leaf made robe for emperor!
Shall man alone thy law deny? --refuse
Thy healing for his blunders and his sins?
Oh, make us thine! Teach us who waits best sues;


The Victor Dog

Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's-no-he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear? I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment.'


The Unnamed Lake

It sleeps among the thousand hills
Where no man ever trod,
And only nature's music fills
The silences of God.

Great mountains tower above its shore,
Green rushes fringe its brim,
And over its breast for evermore
The wanton breezes skim.

Dark clouds that intercept the sun
Go there in Spring to weep,
And there, when Autumn days are done.
White mists lie down to sleep.

Sunrise and sunset crown with gold
The pinks of ageless stone,
Her winds have thundered from of old -


The Unknown Dead

The rain is plashing on my sill,
But all the winds of Heaven are still;
And so it falls with that dull sound
Which thrills us in the church-yard ground,
When the first spadeful drops like lead
Upon the coffin of the dead.
Beyond my streaming window-pane,
I cannot see the neighboring vane,
Yet from its old familiar tower
The bell comes, muffled, through the shower.
What strange and unsuspected link
Of feeling touched, has made me think --
While with a vacant soul and eye
I watch that gray and stony sky --


The Ungrateful Garden

Midas watched the golden crust
That formed over his steaming sores,
Hugged his agues, loved his lust,
But damned to hell the out-of-doors

Where blazing motes of sun impaled
The serrid roses, metal-bright.
"Those famous flowers," Midas wailed,
"Have scorched my retina with light."

This gift, he'd thought, would gild his joys,
Silt up the waters of his grief;
His lawns a wilderness of noise,
The heavy clang of leaf on leaf.

Within, the golden cup is good
To lift, to sip the yellow mead.


The Unequal Fetters

Cou'd we stop the time that's flying
Or recall itt when 'tis past
Put far off the day of Dying
Or make Youth for ever last
To Love wou'd then be worth our cost.

But since we must loose those Graces
Which at first your hearts have wonne
And you seek for in new Faces
When our Spring of Life is done
It wou'd but urdge our ruine on

Free as Nature's first intention
Was to make us, I'll be found
Nor by subtle Man's invention
Yeild to be in Fetters bound
By one that walks a freer round.


The Twins

[Dedicated to Austin Osman Spare]


Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest


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