Saturday night! Saturday night!
The hope that lingered has taken to flight;
From morning till evening, the weary week through,
In vain has he battled for something to do.
Poor man! emptyhanded, how can he return
To those whose fate hangs on the pence he may earn?
How can he reply to his questioner sweet --
"Did Papa bring Papa's girl somethin' to eat?"

Out of employ! out of employ!
Distress in the cottage where once there was joy;
How frightful the shadows that fall on the floor
When Want and Starvation appear at the door!

All around the house is the jet-black night;
It stares through the window-pane;
It crawls in the corners, hiding from the light,
And it moves with the moving flame.

Now my little heart goes a beating like a drum,
With the breath of the Bogies in my hair;
And all around the candle and the crooked shadows come,
And go marching along up the stair.

The shadow of the balusters, the shadow of the lamp,
The shadow of the child that goes to bed--
All the wicked shadows coming tramp, tramp, tramp,

However the battle is ended,
Though proudly the victor comes,
With flaunting flags and neighing nags
And echoing roll of drums;
Still truth proclaims this motto
In letters of living light,
No question is ever settled
Until it is settled right.

Though the heel of the strong oppressor
May grind the weak in the dust,
And the voices of fame with one acclaim
May call him great and just;
Let those who applaud take warning
And keep this motto in sight,
No question is ever settled
Until it is settled right.

Set me whereas the sun doth parch the green
Or where his beams do not dissolve the ice,
In temperate heat where he is felt and seen;
In presence prest of people, mad or wise;
Set me in high or yet in low degree,
In longest night or in the shortest day,
In clearest sky or where clouds thickest be,
In lusty youth or when my hairs are gray.
Set me in heaven, in earth, or else in hell;
In hill, or dale, or in the foaming flood;
Thrall or at large, alive whereso I dwell,
Sick or in health, in evil fame or good:

Let pious Damon take his seat,
With mincing step and languid smile,
And scatter from his 'kerchief sweet,
Sabaean odours o'er the aisle;
And spread his little jewelled hand,
And smile round all the parish beauties,
And pat his curls, and smooth his band,
Meet prelude to his saintly duties.

Let the thronged audience press and stare,
Let stifled maidens ply the fan,
Admire his doctrines, and his hair,
And whisper, "What a good young man!"
While he explains what seems most clear,
So clearly that it seems perplexed,

The night soaks itself
along the shore of the river
and in Lolita's breasts
the branches die of love.

The branches die of love.

Naked the night sings
above the bridges of March.
Lolita bathes her body
with salt water and roses.

The branches die of love.

The night of anise and silver
shines over the rooftops.
Silver of streams and mirrors
Anise of your white thighs.

The branches die of love.

This is the year the old ones,
the old great ones
leave us alone on the road.

The road leads to the sea.
We have the words in our pockets,
obscure directions. The old ones

have taken away the light of their presence,
we see it moving away over a hill
off to one side.

They are not dying,
they are withdrawn
into a painful privacy

learning to live without words.
E. P. "It looks like dying"-Williams: "I can't
describe to you what has been

happening to me"-
H. D. "unable to speak."
The darkness

The grasses are light brown
and ocean comes in
long shimmering lines
under the fleet from last night
which dozes now in the early morning

Here and there horses graze
On somebody's acreage

Strangely, it was not my desire

that bade me speak in church to be released
but memory of the way it used to be in
careless and exotic play

when characters were promises
then recognitions. The world of transformation
is real and not real but trusting.

Enough of the lessons? I mean

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.

And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,

For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.

Lots more would flout the gallows tree,

I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.

It is a certain hill
the one I imagine when I hear the word "hill"
and if the apocalypse turns out
to be a world-wide nervous breakdown