night

For all we have and are,
For all our children's fate,
Stand up and meet the war.
The Hun is at the gate!
Our world has passed away
In wantonness o'erthrown.
There is nothing left to-day
But steel and fire and stone.

Though all we knew depart,
The old commandments stand:
"In courage keep your heart,
In strength lift up your hand."

Once more we hear the word
That sickened earth of old:
"No law except the sword
Unsheathed and uncontrolled,"

There was no one like 'im, 'Orse or Foot,
Nor any o' the Guns I knew;
An' because it was so, why, o' course 'e went an' died,
Which is just what the best men do.

So it's knock out your pipes an' follow me!
An' it's finish up your swipes an' follow me!
Oh, 'ark to the big drum callin',
Follow me -- follow me 'ome!

'Is mare she neighs the 'ole day long,
She paws the 'ole night through,
An' she won't take 'er feed 'cause o' waitin' for 'is step,

Fly not yet, 'tis just the hour,
When pleasure, like the midnight flower
That scorns the eye of vulgar light,
Begins to bloom for sons of night,
And maids who love the moon.
'Twas but to bless these hours of shade
That beauty and the moon were made;
'Tis then their soft attractions glowing
Set the tides and goblets flowing.
Oh! stay, -- Oh! stay, --
Joy so seldom weaves a chain
Like this to-night, that oh, 'tis pain
To break its links so soon.

Fly not yet, the fount that play'd

Pigeons shake their wings on the copper church roof
out my window across the street, a bird perched on the cross
surveys the city's blue-grey clouds. Larry Rivers
'll come at 10 AM and take my picture. I'm taking
your picture, pigeons. I'm writing you down, Dawn.
I'm immortalizing your exhaust, Avenue A bus.
O Thought, now you'll have to think the same thing forever!

I

LOVE'S DAWN


Still thine eyes haunt me; in the darkness now,
The dreamtime, the hushed stillness of the night,
I see them shining pure and earnest light;
And here, all lonely, may I not avow
The thrill with which I ever meet their glance?
At first they gazed a calm abstracted gaze,
The while thy soul was floating through some maze
Of beautiful divinely-peopled trance;
But now I shrink from them in shame and fear,
For they are gathering all their beams of light

Siwashing It Out Once in Suislaw Forest

I slept under rhododendron
All nightblossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deepin my pockets
Barelyableto sleep.
I rememberedwhen we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teachschool back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open

Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.

Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited ridings on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,

Dame Fortune’s jade with a fanciful horn
Of silver ambitions she warns of the flame;
With pearls for the princes and tears night and morn
For poor little poets who fluttered for fame,
Who smile when she sings as she dances along;
"Come; woo me with courage and delicate song."
I followed her once, but she wearied me soon.
All careless was I of her roseate quest.
I built a dream house, while the stars were in tune,
And slipped into silence and exquisite rest.
But she, like her sex, when my passion seemed cold,

Forgetfulness is like a song
That, freed from beat and measure, wanders.
Forgetfulness is like a bird whose wings are reconciled,
Outspread and motionless, --
A bird that coasts the wind unwearyingly.

Forgetfulness is rain at night,
Or an old house in a forest, -- or a child.
Forgetfulness is white, -- white as a blasted tree,
And it may stun the sybil into prophecy,
Or bury the Gods.

I can remember much forgetfulness.

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,