ocean

The first speaker said
Fear fire. Fear furnaces
Incinerators, the city dump
The faint scratch of a match.

The second speaker said
Fear water. Fear drenching rain
Drizzle, oceans, puddles, a damp
Day and the flush toilet.

The third speaker said
Fear wind. And it needn't be
A hurricane. Drafts, open
Windows, electric fans.

The fourth speaker said
Fear knives. Fear any sharp
Thing, machine, shears
Scissors, lawnmowers.

The fifth speaker said

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


Spirit of the days of yore!
Thou! who, in thy haunted cave,
By the torrent's sounding shore,
Mark'st the autumnal tempest rave:
Or, where on some ivied wall
Twilight-mingled moonbeams fall,
Deep in aisles and cloisters dim,
Hear'st the grey monks' verpser hymn:
Or, beneath the cypress shade,
Where forgotten chiefs are laid,
Pacing slow with solemn tread,
Breathest the verse that wakes the dead---

631

Ourselves were wed one summer—dear—
Your Vision—was in June—
And when Your little Lifetime failed,
I wearied—too—of mine—

And overtaken in the Dark—
Where You had put me down—
By Some one carrying a Light—
I—too—received the Sign.

'Tis true—Our Futures different lay—
Your Cottage—faced the sun—
While Oceans—and the North must be—
On every side of mine

'Tis true, Your Garden led the Bloom,
For mine—in Frosts—was sown—
And yet, one Summer, we were Queens—

Our eyes
are limpid
drops of water.
In each drop exists
a tiny sign
of our genius
which has given life to cold iron.
Our eyes
are limpid
drops of water
merged absolutely in the Ocean
that you could hardly recognize
the drop in a block of ice
in a boiling pan.
The masterpiece of these eyes
the fulfillment of their genius
the living iron.

My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think

praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,

it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:

ARGUMENT
The old Atlantes suffers fatal wreck,
Foiled by the ring, and young Rogero freed,
Who soars in air till he appears a speck,
Mounted upon the wizard's winged steed.
Obediant to the royal Charles's beck,
He who had followed Love's imperious lead,
Rinaldo, disembarks on British land,
And saves Genevra, doomed to stake and brand.


I
Though an ill mind appear in simulation,
And, for the most, such quality offends;
'Tis plain that this in many a situation

Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.

Faithful remembrancer of one so dear,

A trouble, not of clouds, or weeping rain,
Nor of the setting sun's pathetic light
Engendered, hangs o'er Eildon's triple height:
Spirits of Power, assembled there, complain
For kindred Power departing from their sight;
While Tweed, best pleased in chanting a blithe strain,
Saddens his voice again, and yet again.
Lift up your hearts, ye Mourners! for the might
Of the whole world's good wishes with him goes;
Blessings and prayers in nobler retinue
Than sceptred king or laurelled conqueror knows,

On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?

Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere