Departure Southampton Docks October, 1899

While the far farewell music thins and fails,
And the broad bottoms rip the bearing brine -
All smalling slowly to the gray sea line -
And each significant red smoke-shaft pales,

Keen sense of severance everywhere prevails,
Which shapes the late long tramp of mounting men
To seeming words that ask and ask again:
"How long, O striving Teutons, Slavs, and Gaels

Must your wroth reasonings trade on lives like these,
That are as puppets in a playing hand? -
When shall the saner softer polities


December At Yase

You said, that October,
In the tall dry grass by the orchard
When you chose to be free,
"Again someday, maybe ten years."

After college I saw you
One time. You were strange,
And I was obsessed with a plan.

Now ten years and more have
Gone by: I've always known
where you were—
I might have gone to you
Hoping to win your love back.
You still are single.

I didn't.
I thought I must make it alone. I
Have done that.

Only in dream, like this dawn,


Champagne, 1914-15

In the glad revels, in the happy fetes,
When cheeks are flushed, and glasses gilt and pearled
With the sweet wine of France that concentrates
The sunshine and the beauty of the world,

Drink sometimes, you whose footsteps yet may tread
The undisturbed, delightful paths of Earth,
To those whose blood, in pious duty shed,
Hallows the soil where that same wine had birth.

Here, by devoted comrades laid away,
Along our lines they slumber where they fell,
Beside the crater at the Ferme d'Alger


Canto XLIX For the Seven Lakes

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.

Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.


Canto 49

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.

Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.


Butterfly

Butterfly, the wind blows sea-ward,
strong beyond the garden-wall!
Butterfly, why do you settle on my
shoe, and sip the dirt on my shoe,
Lifting your veined wings, lifting them?
big white butterfly!

Already it is October, and the wind
blows strong to the sea
from the hills where snow must have
fallen, the wind is polished with
snow.
Here in the garden, with red
geraniums, it is warm, it is warm
but the wind blows strong to sea-ward,


Big Hair

Ithaca, October 1993: Jorie went on a lingerie
tear, wanting to look like a moll
in a Chandler novel. Dinner, consisting of three parts gin
and one part lime juice cordial, was a prelude to her hair.
There are, she said, poems that can be written
only when the poet is clad in black underwear.

But that's Jorie for you. Always cracking wise, always where
the action is, the lights, and the sexy lingerie.
Poems, she said, were meant to be written
on the run, like ladders on the stockings of a gun moll


Autumn Begins in Martins Ferry, Ohio

In the Shreve High football stadium,
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.

All the proud fathers are ashamed to go home.
Their women cluck like starved pullets,
Dying for love.

Therefore,
Their sons grow suicidally beautiful
At the beginning of October,
And gallop terribly against each other's bodies.


Autumn

October's bellowing anger breaks and cleaves
The bronzed battalions of the stricken wood
In whose lament I hear a voice that grieves
For battle’s fruitless harvest, and the feud
Of outraged men. Their lives are like the leaves
Scattered in flocks of ruin, tossed and blown
Along the westering furnace flaring red.
O martyred youth and manhood overthrown,
The burden of your wrongs is on my head.


An October Nocturne

The night was faint and sheer;
Immobile, road and dune.
Then, for a moment, clear,
A plane moved past the moon.

O spirit cool and frail,
Hung in the lunar fire!
Spun wire and brittle veil!
And tremblingly slowly higher!

Pure in each proven line!
The balance and the aim,
Half empty, half divine!
I saw how true you came.

Dissevered from your cause,
Your function was your goal.
Oblivious of my laws,
You made your calm patrol.


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