pain

Down to the lighthouse pillar
   The rolling woodland comes,
Gay with the gold of she-oaks
   And the green of the stunted gums,
With the silver-grey of honeysuckle,
   With the wasted bracken red,
With a tuft of softest emerald
   And a cloud-flecked sky o'erhead.

We climbed by ridge and boulder,
   Umber and yellow scarred,
Out to the utmost precipice,
   To the point that was ocean-barred,
Till we looked below on the fastness
   Of the breeding eagle's nest,

Air -- "Gently Down the Stream of Time"


Have you heard of the dreadful fate
Of Mr. P. P. Bliss and wife?
Of their death I will relate,
And also others lost their life;
Ashtabula Bridge disaster,
Where so many people died
Without a thought that destruction
Would plunge them 'neath the wheel of tide.

CHORUS:

Swiftly passed the engine's call,
Hastening souls on to death,
Warning not one of them all;
It brought despair right and left.

Among the ruins are many friends,

Captive! Is there a hell to him like this?
A taunt more galling than the Huron's hiss?
He--proud and scornful, he--who laughed at law,
He--scion of the deadly Iroquois,
He--the bloodthirsty, he--the Mohawk chief,
He--who despises pain and sneers at grief,
Here in the hated Huron's vicious clutch,
That even captive he disdains to touch!

Captive! Butnever conquered; Mohawk brave
Stoops not to be to anyman a slave;
Least, to the puny tribe his soul abhors,
The tribe whose wigwams sprinkle Simcoe's shores.

Strong as death, and cruel as the grave,
Clothed with cloud and tempest's blackening breath,
Known of death's dread self, whom none outbrave,
Strong as death,

Love, brow-bound with anguish for a wreath,
Fierce with pain, a tyrant-hearted slave,
Burns above a world that groans beneath.

Hath not pity power on thee to save,
Love? hath power no pity? Nought he saith,
Answering: blind he walks as wind or wave,
Strong as death.

Of all the waltzes the great Strauss wrote,
mad with melody, rhythm--rife
From the very first to the final note,
Give me his "Artist's Life!"

It stirs my blood to my finger ends,
Thrills me and fills me with vague unrest,
And all that is sweetest and saddest blends
Together within my breast.

It brings back that night in the dim arcade,
In love's sweet morning and life's best prime,
When the great brass orchestra played and played,
And set our thoughts to rhyme.

I

Yes! Beauty still rebels!
Our dreams like clouds disperse:
She dwells
In agate, marble, verse.

No false constraint be thine!
But, for right walking, choose
The fine,
The strict cothurnus, Muse.

Vainly ye seek to escape
The toil! The yielding phrase
Ye shape
Is clay, not chrysoprase.

And all in vain ye scorn
That seeming ease which ne’er
Was born
Of aught but love and care.

Take up the sculptor’s tool!
Recall the gods that die
To rule

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,

At last, my old inveterate foe,
No opposition shalt thou know.
Since I by struggling, can obtain
Nothing, but encrease of pain,
I will att last, no more do soe,
Tho' I confesse, I have apply'd
Sweet mirth, and musick, and have try'd
A thousand other arts beside,
To drive thee from my darken'd breast,
Thou, who hast banish'd all my rest.
But, though sometimes, a short repreive they gave,
Unable they, and far too weak, to save;
All arts to quell, did but augment thy force,

Lo! in storms, the triple-headed
Hill, whose dreaded
Bases battle with the seas,
Looms across fierce widths of fleeting
Waters beating
Evermore on roaring leas!
Arakoon, the black, the lonely!
Housed with only
Cloud and rain-wind, mist and damp;
Round whose foam-drenched feet and nether
Depths, together
Sullen sprites of thunder tramp!

There the East hums loud and surly,
Late and early,
Through the chasms and the caves,

And doth not a meeting like this make amends
For all the long years I've been wandering away --
To see thus around me my youth's early friends,
As smiling and kind as in that happy day?
Though haply o'er some of your brows, as o'er mine,
The snow -- fall of time may be stealing -- what then?
Like Alps in the sunset, thus lighted by wine,
We'll wear the gay tinge of youth's roses again.

What soften'd remembrances come o'er the heart,
In gazing on those we've been lost to so long!