pain

(Español)
Lo atrevido de un pincel,
Filis, dio a mi pluma alientos:
que tan gloriosa desgracia
más causa corrió que miedo.

Logros de errar por tu causa
fue de mi ambición el cebo;
donde es el riesgo apreciable
¿qué tanto valdrá el acierto?

Permite, pues, a mi pluma
segundo arriesgado vuelo,
pues no es el primer delito
que le disculpa el ejemplo

.....

de ti, peregrina Filis?,
cuyo divino sujeto
se dio por merced al mundo,
se dio por ventaja al cielo;

Pedlar's coming down the street,
Housewives beat a swift retreat.
Don't you answer to the bell;
Heedless what she has to sell.
Just discreetly go inside.
We must hang a board, I fear:
PEDLARS NOT PERMITTED HERE.

I'm trying to sell what nobody wants to buy;
They turn me away, but still I try and try.
My arms are aching and my feet are sore;
Heartsick and worn I drag from door to door.
I ring bells, meekly knock, hold out my tray,
But no one answers, so I go away.
I am so weary; oh, I want to cry,

"Ere such a soul regains its peaceful state,
"How often must it love, how often hate,
"How often hope, despair, resent, regret,
"Conceal, disdain, do all things, but forget."

- POPE.


YE silent haunts, ye dark embow'ring shades,
Lone shaggy wilds and melancholy glades;
Ye mountains black'ning o'er the thorny vale;
Ye lucid lakes that trembling meet the gale;
Ye gloomy avenues of dire despair,
Dear last asylums of long-cherish'd care;
Eternal solitudes ! where LOVE retires

The troops of ALMAGRO and ALPHONSO meet on the plain of CUZCO --.

Character of ZAMOR , a bard--His passion for ACILOE , daughter of the Cazique who rules the valley--The Peruvian tribe prepare to defend themselves--A battle--The PERUVIANS are vanquished--ACILOE'S father is made a prisoner, and ZAMOR is supposed to have fallen in the engagement--ALPHONSO becomes enamoured of ACILOE --Offers to marry her--She rejects him--In revenge he puts her father to the torture--She appears to consent, in order to save him--Meets ZAMOR in a wood--LAS CASAS joins them--Leads the two lovers to ALPHONSO , and obtains their freedom--ZAMOR conducts ACILOE and her father to

"Death is to us change, not consummation."
Heart of Midlothian.

A change! no, surely, not a change,
   The change must be before we die;
Death may confer a wider range,
   From pole to pole, from sea to sky,
It cannot make me new or strange
   To mine own Personality!

For what am I? -- this mortal flesh,
   These shrinking nerves, this feeble frame,
For ever racked with ailments fresh
   And scarce from day to day the same --
A fly within the spider's mesh,

She is beautiful yet, with her wondrous hair
And eyes that are stormy with fitful light,
The delicate hues of brow and cheek
Are unmarred all, rose-clear and bright;
That matchless frame yet holds at bay
The crouching bloodhounds, Remorse, Decay.

There is no fear in her great dark eyes --
No hope, no love, no care,
Stately and proud she looks around
With a fierce, defiant stare;
Wild words deform her reckless speech,
Her laugh has a sadness tears never reach.

To spend uncounted years of pain,
Again, again, and yet again,
In working out in heart and brain
The problem of our being here;
To gather facts from far and near,
Upon the mind to hold them clear,
And, knowing more may yet appear,
Unto one's latest breath to fear
The premature result to draw--
Is this the object, end and law,
And purpose of our being here?

Per melhs cobrir lo mal pes e.l cossire
chan e deport et ai joi e solatz;
e fatz esfortz car sai chantar ni rire,
car eu me mor e nul semblan no.n fatz;
e per Amor sui si apoderatz,
tot m'a vencut a forsa e batalha.

Anc Deus no fetz trebalhas ni martire,
ses mal d'amor, qu'eu no sofris en patz;
mas d'aquel sui, si be.m peza, sofrire,
c'Amors mi fai amar lai on li platz;
e dic vos be que s'eu no sui amatz,
ges no reman en lai mia nualha.

Midons sui om et amics e servire,

PEACE! what do tears avail?
She lies all dumb and pale,
And from her eye
The spirit of lovely life is fading,
And she must die!
Why looks the lover wroth? the friend upbraiding?
Reply, reply!

Hath she not dwelt too long
’Midst pain, and grief, and wrong?
Then, why not die?
Why suffer again her doom of sorrow,
And hopeless lie?
Why nurse the trembling dream until to-morrow?
Reply, reply!

Death! Take her to thine arms,
In all her stainless charms,