people

Let verse of yours be flexible, but strong,
Strong as a poplar under valley's cover,
Strong as the earth under a plough, long,
Strong as a girl, who never knew a lover.

Reliably preserve severity at length,
Your verse need not be fluttering or booming,
Although the Muse has very easy steps,
She's not a dancer, but a goddess, ruling.

Frolicsome din of interrupted rhymes --
Temptation for decline, so free and so easy --
Just leave for use by jokers in a dance
On city streets for people who aren't busy.

Though skilled in Latin and in Greek,
And earning fifty cents a week,
Such knowledge, and the income, too,
Should teach you better what to do:
The meanest drudges, kept in pay,
Can pocket fifty cents a day.

Why stay in such a tasteless land,
Where all must on a level stand,
(Excepting people, at their ease,
Who choose the level where they please:)
See Irving gone to Britain's court
To people of another sort,
He will return, with wealth and fame,

You know there is not much
that I desire, a few chrysanthemums
half lying on the grass, yellow
and brown and white, the
talk of a few people, the trees,
an expanse of dried leaves perhaps
with ditches among them.

But there comes
between me and these things
a letter
or even a look--well placed,
you understand,
so that I am confused, twisted
four ways and--left flat,
unable to lift the food to
my own mouth:
Here is what they say: Come!
and come! and come! And if

When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

"Launching our from the ship--
ha, ha! courtship--
Oh the misty matrimonial sea,
Let the cable hang lightly,
but tie the knot tightly."
So the hoary sailors tell me.
As we are just launching our nuptial canoes,
Enroute for some haven, we know not what,
Old mariner' views
'twere wrong to refuse;
So oblige us with a workmanlike knot.

And tie the knot tightly, good pastor!
Invent one that will not come loose;
For tho' sad, it is true that people slip thro',
Or squirm and wriggle out of the noose.

499

Those fair—fictitious People—
The Women—plucked away
From our familiar Lifetime—
The Men of Ivory—

Those Boys and Girls, in Canvas—
Who stay upon the Wall
In Everlasting Keepsake—
Can Anybody tell?

We trust—in places perfecter—
Inheriting Delight
Beyond our faint Conjecture—
Our dizzy Estimate—

Remembering ourselves, we trust—
Yet Blesseder—than We—
Through Knowing—where We only hope—
Receiving—where we—pray—

Of Expectation—also—
Anticipating us

Here's a vestibule. On holidays
Overcome by slavish fear,
The whole population, in a state of awe,
Rushes to the sacred doors.
Having left their names and ranks.
All these visitors return then to their homes
They are all so deeply satisfied
You might think this was their calling!
Yet on other days this ornate vestibule
Is beset by much more wretched sorts:
Schemers and position-seekers,
By a widow and an aged man.
To and fro each morning without cease
Couriers bustle with their papers.

There are places where the eye can starve,
But not here. Here, for example, is
The Piazza Navona, & here is his narrow room
Overlooking the Steps & the crowds of sunbathing
Tourists. And here is the Protestant Cemetery
Where Keats & Joseph Severn join hands
Forever under a little shawl of grass
And where Keats's name isn't even on
His gravestone, because it is on Severn's,
And Joseph Severn's infant son is buried
Two modest, grassy steps behind them both.
But you'd have to know the story--how bedridden

IN all the towns and cities fair
On Merry England's broad expanse,
No swordsman ever could compare
With THOMAS WINTERBOTTOM HANCE.

The dauntless lad could fairly hew
A silken handkerchief in twain,
Divide a leg of mutton too -
And this without unwholesome strain.

On whole half-sheep, with cunning trick,
His sabre sometimes he'd employ -
No bar of lead, however thick,
Had terrors for the stalwart boy.

At Dover daily he'd prepare
To hew and slash, behind, before -