power

I was not aware of the moment
when I first crossed the threshold of this life.

What was the power that made me open out into this vast mystery
like a bud in the forest at midnight!

When in the morning I looked upon the light
I felt in a moment that I was no stranger in this world,
that the inscrutable without name and form
had taken me in its arms in the form of my own mother.

Even so, in death the same unknown will appear as ever known to me.
And because I love this life,

What wondrous noise is heard around!
Through heaven exulting voices sound,

A mighty army marches on
By thousand millions follow'd, lo,
To yon dark place makes haste to go

God's Son, descending from His throne!
He goes--the tempests round Him break,

As Judge and Hero cometh He;
He goes--the constellations quake,
The sun, the world quake fearfully.

I see Him in His victor-car,
On fiery axles borne afar,

Who on the cross for us expired.
The triumph to yon realms He shows,--

Come under my cloak, my darling!
Thou little Norwegian main!
Nor wind, nor rain, nor rolling sea
Shall chill or make thee afraid.

Come close, little blue-eyed maiden,
Nestle within my arm;
Thought the lightning leaps and the thunder peals,
We shall be safe from harm.

Swift from the dim horizon
The dark sails scud for the land.
Look, how the rain-cloud drops its fringe
About us on either hand!

And high from our plunging bowsprit
Dashes the cold white spray,

This is a poem I wrote before I died and was reborn:
- After the years of the apples ripening and the eagles
soaring,
After the festival here the small flowers gleamed like the
first stars,
And the horses cantered and romped away like the
experience of skill; mastered and serene
Power, grasped and governed by reins, lightly held by
knowing hands.

The horses had cantered away, far enough away
So that I saw the horses' heads farther and farther away

O hapless day! O wretched day!
I hoped you'd pass me by--
Alas, the years have sneaked away
And all is changed but I!
Had I the power, I would remand
You to a gloom condign,
But here you've crept upon me and
I--I am thirty-nine!

Now, were I thirty-five, I could
Assume a flippant guise;
Or, were I forty years, I should
Undoubtedly look wise;
For forty years are said to bring
Sedateness superfine;
But thirty-nine don't mean a thing--
À bas with thirty-nine!

I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.

But I don't allow it's luck and all a toss;
There's no such thing as being starred and crossed;
It's just the power of some to be a boss,
And the bally power of others to be bossed:
I face the music, sir; you bet I ain't a cur;

On Sinai's top, in prayer and trance,
Full forty nights and forty days
The Prophet watched for one dear glance
Of thee and of Thy ways:

Fasting he watched and all alone,
Wrapt in a still, dark, solid cloud,
The curtain of the Holy One
Drawn round him like a shroud:

So, separate from the world, his breast
Might duly take and strongly keep
The print of Heaven, to be expressed
Ere long on Sion's steep.

There one by one his spirit saw
Of things divine the shadows bright,

What went ye out to see
O'er the rude sandy lea,
Where stately Jordan flows by many a palm,
Or where Gennesaret's wave
Delights the flowers to lave,
That o'er her western slope breathe airs of balm.

All through the summer night,
Those blossoms red and bright
Spread their soft breasts, unheeding, to the breeze,
Like hermits watching still
Around the sacred hill,
Where erst our Saviour watched upon His knees.

The Paschal moon above
Seems like a saint to rove,

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--