Skip to main content

Lot's Wife

And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back

at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed."
A single glance: a sudden dart of pain
stitching her eyes before she made a sound . . .
Her body flaked into transparent salt,
and her swift legs rooted to the ground.

Looking at a Portrait

O why are there eyes like these,
That sparkle and dapple and tease,
So wide with the morning, so deep with the night,
Dancing and gleaming in passioned delight?
O why are there eyes like these?

O why are there lips like these?
Caressed by the southern breeze,
That beckon and call and hold a slave
All who therewith each soul-cry leave?
O why are there lips like these?

O why are there arms like these?
That crumple and crush as they please
A weak man's heart, and in their embrace

Look at The Clock' Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,

Lonely Burial

There were not many at that lonely place,
Where two scourged hills met in a little plain.
The wind cried loud in gusts, then low again.
Three pines strained darkly, runners in a race
Unseen by any. Toward the further woods
A dim harsh noise of voices rose and ceased.
-- We were most silent in those solitudes --
Then, sudden as a flame, the black-robed priest,

The clotted earth piled roughly up about
The hacked red oblong of the new-made thing,
Short words in swordlike Latin -- and a rout
Of dreams most impotent, unwearying.

London Poets

(In Memoriam.)


They trod the streets and squares where now I tread,
With weary hearts, a little while ago;
When, thin and grey, the melancholy snow
Clung to the leafless branches overhead;
Or when the smoke-veiled sky grew stormy-red
In autumn; with a re-arisen woe
Wrestled, what time the passionate spring winds blow;
And paced scorched stones in summer:--they are dead.

The sorrow of their souls to them did seem
As real as mine to me, as permanent.
To-day, it is the shadow of a dream,

Localities

Wagon wheel gap is a place I never saw
And Red Horse Gulch and the chutes of Cripple Creek.

Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.

I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.

Lobster For Lunch

I

His face was like a lobster red,
His legs were white as mayonnaise:
"I've had a jolly lunch," he said,
That Englishman of pleasant ways.
"Thy do us well at our hotel:
In England food is dull these days."
II
"We had a big langouste for lunch.
I almost ate the whole of it.
And now I'll smoke and read my Punch,
And maybe siesta a bit;
And then I'll plunge into the sea
And get an appetite for tea."
III
We saw him plunge into the sea,
With jolly laugh, his wife and I.
"George does enjoy his food," said she;

Living

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.

Little Moccasins

I

Come out, O Little Moccasins, and frolic on the snow!
Come out, O tiny beaded feet, and twinkle in the light!
I'll play the old Red River reel, you used to love it so:
Awake, O Little Moccasins, and dance for me to-night!
II
Your hair was all a gleamy gold, your eyes a corn-flower blue;
Your cheeks were pink as tinted shells, you stepped light as a fawn;
Your mouth was like a coral bud, with seed pearls peeping through;
As gladdening as Spring you were, as radiant as dawn.
III
Come out, O Little Moccasins! I'll play so soft and low,

Little Henry

Air -- "Minnie Lee"

I
Oh! come listen to my story
Of a little infant child --
His spirit is in glory --
It has left us for a while.
Death has robbed us of our Henry,
He is with our Savior now,
Where there is no pain or sorrow
Comes to cloud his little brow.
II
CHORUS:

God has took their little treasure,
And his name I'll tell you now,
He has gone from earth forever,
Their little Charles Henry House.
III
His cheeks were red as roses,
And his eyes were black as coals,