remember

I remember speaking to you,
Once upon some months ago.
Once upon a fairy tale;
Once upon the fairest day.
Niceness could be compared to none,
And the first of all could be spent.
As I glanced in your gray direction,
I wished I could know you better,
And I wish I would have visited,
And I wish I could reverse everything;
But the future has spoken,
And you were swept away from me.
I wish I would have known you better,
And I wish I would have visited,
But the virus grew inside of you,

A Letter To My Aunt Discussing The Correct Approach To Modern Poetry


To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights

I was out early to-day, spying about
From the top of a haystack -- such a lovely morning --
And when I mounted again to canter back
I saw across a field in the broad sunlight
A young Gunner Subaltern, stalking along
With a rook-rifle held at the read, and -- would you believe it? --
A domestic cat, soberly marching beside him.

So I laughed, and felt quite well disposed to the youngster,
And shouted out "the top of the morning" to him,
And wished him "Good sport!" -- and then I remembered

Listen, and when thy hand this paper presses,
O time-worn woman, think of her who blesses
What thy thin fingers touch, with her caresses.

O mother, for the weight of years that break thee!
O daughter, for slow time must yet awake thee,
And from the changes of my heart must make thee!

O fainting traveller, morn is gray in heaven.
Dost thou remember how the clouds were driven?
And are they calm about the fall of even?

Pause near the ending of thy long migration;

I have been wondering
What you are thinking about, and by now suppose
It is certainly not me.
But the crocus is up, and the lark, and the blundering
Blood knows what it knows.
It talks to itself all night, like a sliding moonlit sea.

Of course, it is talking of you.
At dawn, where the ocean has netted its catch of lights,
The sun plants one lithe foot

O THE Queen may keep her golden
Crown and sceptre of command!
I would give them both twice over
To be King of Babyland.
Sure, it is a wondrous country
Where the beanstalks grow apace,
And so very near the moon is
You could almost stroke her face.

And the dwellers in that country
Hold in such esteem their King,
They believe that if he chooses
He can do—just anything!

And, although his regal stature
May be only four-feet-ten,
Think him tallest, strongest, bravest,

In Italy, where this sort of thing can occur,
I had a vision once - though you understand
It was nothing at all like Dante's, or the visions of saints,
And perhaps not a vision at all. I was with some friends,
Picking my way through a warm sunlit piazza
In the early morning. A clear fretwork of shadows
From huge umbrellas littered the pavement and made
A sort of lucent shallows in which was moored
A small navy of carts. Books, coins, old maps,
Cheap landscapes and ugly religious prints
Were all on sale. The colors and noise

A friend sends her perfumed carriage
And high-bred horses to fetch me.
I decline the invitation of
My old poetry and wine companion.

I remember the happy days in the lost capital.
We took our ease in the woman's quarters.
The Feast of Lanterns was elaborately celebrated -
Folded pendants, emerald hairpins, brocaded girdles,
New sashes - we competed
To see who was most smartly dressed.
Now I am withering away,
Wind-blown hair, frost temples.
I prefer to stay beyond the curtains,

Oh do not die, for I shall hate
All women so, when thou art gone,
That thee I shall not celebrate,
When I remember, thou wast one.

But yet thou canst not die, I know;
To leave this world behind, is death,
But when thou from this world wilt go,
The whole world vapours with thy breath.

Or if, when thou, the world’s soul, go`st,
It stay, ’tis but thy carcase then,
The fairest woman, but thy ghost,
But corrupt worms, the worthiest men.

Oh wrangling schools, that search what fire

The deck of an ancient ship. At the right of the stage is the mast, with a large square sail hiding a great deal of the sky and sea on that side. The tiller is at the left of the stage; it is a long oar coming through an opening in the bulwark. The deck rises in a series of steps hehind the tiller, and the stern of the ship curves overhead. When the play opens there are four persons upon the deck. Aibric stands by the tiller. Forgael sleeps upon the raised portion of the deck towards the front of the stage. Two Sailors are standing near to the mast, on which a harp is hanging.