remember

In the willows along the river at Pleasure Bay
A catbird singing, never the same phrase twice.
Here under the pines a little off the road
In 1927 the Chief of Police
And Mrs. W. killed themselves together,
Sitting in a roadster. Ancient unshaken pilings
And underwater chunks of still-mortared brick
In shapes like bits of puzzle strew the bottom
Where the landing was for Price's Hotel and Theater.
And here's where boats blew two blasts for the keeper
To shunt the iron swing-bridge. He leaned on the gears

Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers

Dramatis Personae



HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".

Air -- "Gently Down the Stream of Time"


Have you heard of the dreadful fate
Of Mr. P. P. Bliss and wife?
Of their death I will relate,
And also others lost their life;
Ashtabula Bridge disaster,
Where so many people died
Without a thought that destruction
Would plunge them 'neath the wheel of tide.

CHORUS:

Swiftly passed the engine's call,
Hastening souls on to death,
Warning not one of them all;
It brought despair right and left.

Among the ruins are many friends,

Days that cannot bring you near
or will not,
Distance trying to appear
something more obstinate,
argue argue argue with me
endlessly
neither proving you less wanted nor less dear.

Distance: Remember all that land
beneath the plane;
that coastline
of dim beaches deep in sand
stretching indistinguishably
all the way,
all the way to where my reasons end?

Days: And think
of all those cluttered instruments,
one to a fact,
canceling each other's experience;
how they were

Old Archibald, in his eternal chair,
Where trespassers, whatever their degree,
Were soon frowned out again, was looking off
Across the clover when he said to me:

“My green hill yonder, where the sun goes down
Without a scratch, was once inhabited
By trees that injured him—an evil trash
That made a cage, and held him while he bled.

“Gone fifty years, I see them as they were
Before they fell. They were a crooked lot
To spoil my sunset, and I saw no time
In fifty years for crooked things to rot.

Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
                Do not write!

Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
                Do not write!

Do not write. I fear you. I fear to remember,

Black ants have made a musty mound
My purple pine tree under,
And I am often to be found,
Regarding it with wonder.
Yet as I watch, somehow it;s odd,
Above their busy striving
I feel like an ironic god
Surveying human striving.
Then one day came my serving maid,
And just in time I caught her,
For on each lusty arm she weighed
A pail of boiling water.
She said with glee: "When this I spill,
Of life they'll soon be lacking."
Said I: "If even one you kill,
You bitch! I'll send you packing."

How long ago the day is
when at last I look at it
with the time it has taken
to be there still in it
now in the transparent light
with the flight in the voices
the beginning in the leaves
everything I remember
and before it before me
present at the speed of light
in the distance that I am
who keep reaching out to it
seeing all the time faster
where it has never stirred from
before there is anything
the darkness thinking the light

OH! listen to the tale of little ANNIE PROTHEROE.
She kept a small post-office in the neighbourhood of BOW;
She loved a skilled mechanic, who was famous in his day -
A gentle executioner whose name was GILBERT CLAY.

I think I hear you say, "A dreadful subject for your rhymes!"
O reader, do not shrink - he didn't live in modern times!
He lived so long ago (the sketch will show it at a glance)
That all his actions glitter with the lime-light of Romance.

In busy times he laboured at his gentle craft all day -