respect

My mother's playing cards with my aunt,
Spite and Malice, the family pastime, the game
my grandmother taught all her daughters.

Midsummer: too hot to go out.
Today, my aunt's ahead; she's getting the good cards.
My mother's dragging, having trouble with her concentration.
She can't get used to her own bed this summer.
She had no trouble last summer,
getting used to the floor. She learned to sleep there
to be near my father.
He was dying; he got a special bed.

My aunt doesn't give an inch, doesn't make

It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin,
We wish that one should love, the other win;

And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?

There in the middle of the field, by the side of a crystalline stream, I saw a bird-cage whose rods and hinges were fashioned by an expert's hands. In one corner lay a dead bird, and in another were two basins -- one empty of water and the other of seeds. I stood there reverently, as if the lifeless bird and the murmur of the water were worthy of deep silence and respect -- something worth of examination and meditation by the heard and conscience.

To my little niece Sally Livingston, on the death of a little serenading wren she admired.


Hasty pilgrim stop thy pace
Turn a moment to this place
Read what pity hath erected
To a songster she respected.
Little minstrel all is o'er
Never will thy chirpings more
Soothe the heavy heart of care
Or dispel the darkness there.
I have known thee e'er the sun
Hath on yonder mountain shone;
E'er the sky-lark hath ascended,
Or the thrush her throat distended;
Cheerful trill thy little ditty

Thou damn'd antipodes to common sense!
Thou foil to Flecknoe! Prithee tell from whence
Does all this mighty stock of dullness spring,
Which in such loads thou to the stage dost bring?
Is't all thy own, or hast thou from Snow Hill
Th'assistance of some ballad-making quill?
No, they fly higher yet; thy plays are such
I'd swear they were translated out of Dutch:
And who the devil was e'er yet so drunk
To own the volumes of Mynheer Van Dunk?
Fain would I know what diet thou dost keep,

Cease, Laura, cease, suspect no more
This careless heart has learnt to love,
Because on yonder lonely shore
I still at pensive evening rove;

Because of Henry's worth I speak
With eager warmth and sparkling eye;
Because his favourite haunts I seek,
And still o'erjoyed to meet him fly:....

But, Laura, should my faltering tongue
Refuse to speak in Henry's praise,
My trembling voice deny the song
When Henry claims his favourite lays;

When Henry comes, should I neglect

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place

Now Jove’s Command fulfill’d, the Son of May
Quits the black Shades and slowly mounts to Day.
For lazy Clouds in gloomy Barriers rise,
Obstruct the God, and intercept the Skies;
No Zephyrs here their airy pinions move,
To spread his progress to the Realms above.
Scarce can he steer his dark laborious Flight,
Lost and encumber’d in the Damps of Night:
There roaring Tides of Fire his Course withstood,
Here Styx in nine wide Circles roll’d his Flood.
Behind old Laius trod th’ infernal Ground,

Come pity us, all ye who see
Our harps hung on the willow-tree;
Come pity us, ye passers-by,
Who see or hear poor widows' cry;
Come pity us, and bring your ears
And eyes to pity widows' tears.
CHOR. And when you are come hither,
Then we will keep
A fast, and weep
Our eyes out all together,

For Tabitha; who dead lies here,
Clean wash'd, and laid out for the bier.
O modest matrons, weep and wail!
For now the corn and wine must fail;
The basket and the bin of bread,

The Village Life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What form the real picture of the poor,
Demand a song--the Muse can give no more.

Fled are those times, when, in harmonious strains,
The rustic poet praised his native plains:
No shepherds now, in smooth alternate verse,
Their country's beauty or their nymphs' rehearse;