Ch 05 On Love And Youth Story 04

One had lost his heart and bidden farewell to his life because the target which he aimed at was in a dangerous locality, portending destruction and no chance promising a morsel easily coming to the palate nor a bird falling into the trap.

When thy sweetheart’s eye has no regard for gold
Mud and gold are of equal value to thee.


Ch 05 On Love And Youth Story 03

I saw a religious man, who had fallen in love with a fellow to such a degree that he had neither strength to remain patient nor to bear the talk of the people but would not relinquish his attachment, despite of the reproaches he suffered and the grief he bore, saying:

I shall not let go my hold of thy skirt
Even if thou strike me with a sharp sword.
After thee I have no refuge nor asylum.
To thee alone I shall flee if I flee.


Ch 05 On Love And Youth Story 02

It is said that a gentleman possessed a slave of exquisite beauty, whom he regarded with love and affection. He nevertheless said to a friend: ‘Would that this slave of mine, with all the beauty and good qualities he possesses, had not a long and uncivil tongue!’ He replied: ‘Brother, do not expect service, after professing friendship; because when relations between lover and beloved come in, the relations between master and servant are superseded’:

When a master with a fairy-faced slave
Begins to play and to laugh


Ch 05 On Love And Youth Story 01

Hasan Maimundi was asked that, as the Sultan Mahmud possesses so many beautiful slaves, each of whom is a marvel in the world, how it happens that he manifests towards none of them so much inclination and love as to Iyaz, although he is not more handsome than the others. He replied: ‘Whatever descends into the heart appears good to the eye.’

He whose murid’ the sultan is
If he does everything bad, it will be good.
But he whom the padshah throws away
Will not be cared for by anyone in the household.


Celestial Love

Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root


Celebrate Spring Today

Rejoice, my love, rejoice,
Its spring here, rejoice.
Bring out your lotions and toiletries,
And decorate your long hair.
Oh, you're still enjoying your sleep, wake-up.
Even your destiny has woken up,
Its spring here, rejoice.
You snobbish lady with arrogant looks,
The King Amir is here to see you;
Let your eyes meet his,
Oh my love, rejoice;
Its spring here again.

[Translated from 'Aaj Basant Manaalay']


Cean Dubh Deelish

PUT your head, darling, darling, darling,
   Your darling black head my heart above;
O mouth of honey, with thyme for fragrance,
   Who, with heart in breast, could deny you love?

O many and many a young girl for me is pining,
   Letting her locks of gold to the cold wind free,
For me, the foremost of our gay young fellows;
   But I'd leave a hundred, pure love, for thee!

Then put your head, darling, darling, darling,
   Your darling black head my heart above;
O mouth of honey, with thyme for fragrance,


Cats

Those who love cats which do not even purr
Or which are thin and tired and very old,
Bend down to them in the street and stroke their fur
And rub their ears, and smooth their breast, and hold
Them carefully, and gaze into their eyes of gold.

For how can they pass what does not ask for love
But draws it out of those who have too much,
Frustrated souls who cannot use it all, who have
Somewhere too tight and sad within them, such
A tenderness it flows through all they touch.

They are the ones who love without reward,


Case Studies I

You thrust into the coffin
where your young wife lay cold
and even more hauntingly beautiful
for the tragic manner of her death
every one of your unpublished poems.

The poet in you, you wanted
the gesture to say, had died with her.
You would not love again.
This is the nineteenth century.

But seven years have passed.
There are men with shovels.

If you do love again, how much
do you love yourself,
her memory,
your enchanting new mistress,
poetry?


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