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A Triad

Three sang of love together: one with lips
Crimson, with cheeks and bosom in a glow,
Flushed to the yellow hair and finger-tips;
And one there sang who soft and smooth as snow
Bloomed like a tinted hyacinth at a show;
And one was blue with famine after love,
Who like a harpstring snapped rang harsh and low
The burden of what those were singing of.
One shamed herself in love; one temperately
Grew gross in soulless love, a sluggish wife;

One famished died for love. Thus two of three
Took death for love and won him after strife;

Christ's Compassion

He saw them tasked with heavy burthens all,
Bowed down and weary 'neath the heavy load;
With none their faltering footsteps home to call,
Or point them out the strait and narrow road;
His spirit bore their burthens, as his own,
He healed the sick, restored the sightless eyes;
He heard the mourner for a loved one moan,
And bade the dead from out the grave arise!
Truly on him the Spirit did descend,
For he, by works divine, its influence proved;
Of all our race Consoler, Guide, and Friend,
By heavenly Love, divine Compassion moved;

Beginning of Love

Though I'm thinking of you ceaselessly,
I can't somehow remember your face.
I come to myself, and realize I'm humming over and over again
a tune of some music that caught my ear.
Though I think I'd like to see you
it's not so much a passion as a curiosity:
I'd like to make certain of what's what with myself,
in front of you, once again.
What comes after doesn't come to my mind.
I can't imagine holding you either.
Only, the world other than you is quite wearying,
and like an actor in a movie filmed at high speed
I light my cigarette slowly.

To Stella

Thou wert the morning star among the living
Ere thy fair light had fled;--
Now, having died, thou art as Hesperus, giving
New splendour to the dead.
Language has not the power to speak what love indites;
The Soul lies buried in the ink that writes.

On the Death of Catarina de Attayda

Those charming eyes within whose starry sphere
Love whilom sat, and smiled the hours away, —
Those braids of light, that shamed the beams of day, —
That hand benignant, and that heart sincere, —
Those virgin cheeks, which did so late appear
Like snow-banks scattered with the blooms of May,
Turned to a little cold and worthless clay,
Are gone, forever gone, and perished here, —

But not unbathed by Memory's warmest tear!
Death thou hast torn, in one unpitying hour,
That fragrant plant, to which, while scarce a flower,

The Cool, Grey City of Love

Tho I die on a distant strand,
And they give me a grave in that land,
Yet carry me back to my own city!
Carry me back to her grace and pity!
For I think I could not rest
Afar from her mighty breast.
She is fairer than others are
Whom they sing the beauty of.
Her heart is a song and a star —
My cool, grey city of love.

Tho they tear the rose from her brow,
To her is ever my vow;
Ever to her I give my duty —
First in rapture and first in beauty,
Wayward, passionate, brave,
Glad of the life God gave.

Stanzas to a Lady, with the Poems of Camoins

WITH THE POEMS OF CAMOËNS

This votive pledge of fond esteem,
Perhaps, dear girl! for me thou 'lt prize;
It sings of Love's enchanting dream,
A theme we never can despise.

Who blames it but the envious fool,
The old and disappointed maid;
Or pupil of the prudish school,
In single sorrow doom'd to fade?

Then read, dear girl! with feeling read,
For thou wilt ne'er be one of those;

Describes Rationally the Irrational Effects of Love

This torment of love
that is in my heart,
I know I feel it
and know not why.

I feel the keen pangs
of a frenzy desired
whose beginning is longing
and end melancholy.

And when I my sorrow
more softly bewail,
I know I am sad
and know not why.

I feel for the juncture
I crave a fierce panting,
and when I come nigh it
withhold mine own hand.

For if haply it offers
after much weary vigil,
mistrust spoils its savour
and terror dispels it.
...
Now patient, now fretful,

A Letter to Daphnis

Sure of successe, to you I boldly write,
Whilst Love, does every tender line endite.
Love, who is justly President of verse,
Which all his servants write, or else rehearse.
Phaebus, how'ere mistaken Poets dream,
N'er us'd a Verse, 'till Love became his theam,
To his stray'd Son, still as his passion rose
He rais'd his hasty voyce, in clamerous prose,
But when in Daphne , he wou'd Love inspire,
He woo'd in verse, sett to his silver lyre,
In moving Verse, that did her heart assail,
And cou'd on all, but Chastity prevail.