running

That air same Jones, which lived in Jones,
He had this pint about him:
He'd swear with a hundred sighs and groans,
That farmers MUST stop gittin' loans,
And git along without 'em:

That bankers, warehousemen, and sich
Was fatt'nin' on the planter,
And Tennessy was rotten-rich
A-raisin' meat and corn, all which
Draw'd money to Atlanta:

And the only thing (says Jones) to do
Is, eat no meat that's boughten:
`But tear up every I, O, U,
And plant all corn and swear for true

Let a joy keep you.
Reach out your hands
And take it when it runs by,
As the Apache dancer
Clutches his woman.
I have seen them
Live long and laugh loud,
Sent on singing, singing,
Smashed to the heart
Under the ribs
With a terrible love.
Joy always,
Joy everywhere--
Let joy kill you!
Keep away from the little deaths.

Why did Albert Schirding kill himself
Trying to be County Superintendent of Schools,
Blest as he was with the means of life
And wonderful children, bringing him honor
Ere he was sixty?
If even one of my boys could have run a news-stand,
Or one of my girls could have married a decent man,
I should not have walked in the rain
And jumped into bed with clothes all wet,
Refusing medical aid.

Oh! the dew-wet grass of the meadow in North Carolina
Through which Rebecca followed me wailing, wailing,
One child in her arms, and three that ran along wailing,
Lengthening out the farewell to me off to the war with the British,
And then the long, hard years down to the day of Yorktown.
And then my search for Rebecca,
Finding her at last in Virginia,
Two children dead in the meanwhile.
We went by oxen to Tennessee,
Thence after years to Illinois,
At last to Spoon River.
We cut the buffalo grass,

I thought I would go daft when Joey died.
He was my first, and wise beyond his years.
For nigh a hundred nights I cried and cried,
Until my weary eyes burned up my tears.
Willie and Rosie tried to comfort me:
A woeful, weeping family were we.
II
I was a widow with no friends at all,
Ironing men's shirts to buy my kiddies grub;
And then one day a lawyer came to call,
Me with my arms deep in the washing-tub.
The gentleman who ran poor Joey down
Was willing to give us a thousand poun'.
III

Wounded I sing, tormented I indite,
Thrown down I fall into a bed, and rest:
Sorrow hath chang'd its note: such is his will
Who changeth all things, as him pleaseth best.
For well he knows, if but one grief and smart
Among my many had his full career,
Sure it would carry with it ev'n my heart,
And both would run until they found a bier
To fetch the body; both being due to grief.
But he hath spoil'd the race; and giv'n to anguish
One of Joy's coats, 'ticing it with relief

WHILE going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
A stick in my hand and a drop in my eye,
A doleful damsel I heard cry:
“Och, Johnny, I hardly knew ye!

“With drums and guns, and guns and drums,
The enemy nearly slew ye;
My darling dear, you look so queer,
Och, Johnny, I hardly knew ye!

“Where are your eyes that looked so mild?

Men fight all shapes and sizes as the racing horses run,
And no man knows his courage till he stands before a gun.
At mixed-up fighting, hand to hand, and clawing men about
They reckon Fuzzy-Wuzzy is the hottest fighter out.
But Fuzzy gives himself away -- his style is out of date,
He charges like a driven grouse that rushes on its fate;
You've nothing in the world to do but pump him full of lead:
But when you're fighting Johhny Boer you have to use your head;
He don't believe in front attacks or charging at the run,

What could be dafter
Than John Skelton’s laughter?
What sound more tenderly
Than his pretty poetry?
So where to rank old Skelton?
He was no monstrous Milton,
Nor wrote no “Paradise Lost,”
So wondered at by most,
Phrased so disdainfully,
Composed so painfully.
He struck what Milton missed,
Milling an English grist
With homely turn and twist.
He was English through and through,
Not Greek, nor French, nor Jew,
Though well their tongues he knew,
The living and the dead:

Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
At dawn, of seed-time and of harvest-time.
But when high noon gave way to evening, and
The fences lay, bent shadows, on the crops
And pastures to the yellowing trees, he felt
The presences he felt when, over rocks,
Through pools and where it wears the bank, the stream
Ran bright and dark at once, itself its shadow;