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Icarus, Robert Jones's Second Book of Songs and Airs

LOVE wing'd my Hopes and taught me how to fly
Far from base earth, but not to mount too high:
   For true pleasure
   Lives in measure,
   Which if men forsake,
Blinded they into folly run and grief for pleasure take.

But my vain Hopes, proud of their new-taught flight,
Enamour'd sought to woo the sun's fair light,
   Whose rich brightness
   Moved their lightness
   To aspire so high

Ill tell you how the sun rose

I’ll tell you how the sun rose, -
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.

The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
"That must have been the sun!"

But how he set, I know not.
There seemed a purple stile.
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.

I, I, I

First, the self. Then, the observing self.
The self that acts and the self that watches. This
The starting point, the place where the mind begins,
Whether the mind of an individual or
The mind of a species. When I was a boy
I struggled to understand. For if I know
The self that watches, another watching self
Must see the watcher, then another watching that,
Another and another, and where does it end?
So my mother sent me to the barber shop,
My first time, to get my hair "cut for a part"
(Instead of the dutch boy she'd always given me),

I Wrung My Hands

I wrung my hands under my dark veil. . .
"Why are you pale, what makes you reckless?"
-- Because I have made my loved one drunk
with an astringent sadness.

I'll never forget. He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.

And shouted, choking: "I meant it all
in fun. Don't leave me, or I'll die of pain."
He smiled at me -- oh so calmly, terribly --
and said: "Why don't you get out of the rain?"

I Would Like to Describe

I would like to describe the simplest emotion
joy or sadness
but not as others do
reaching for shafts of rain or sun

I would like to describe a light
which is being born in me
but I know it does not resemble
any star
for it is not so bright
not so pure
and is uncertain

I would like to describe courage
without dragging behind me a dusty lion
and also anxiety
without shaking a glass full of water

to put it another way
I would give all metaphors
in return for one word

I Wonder Where My Papa Is

I

I wonder where my papa is,
Oh, where could he have gone,
I wonder why he does not come
And see his Lilly Long.
He would come and sit by me
When the fever burnt my brow,
I wonder where my papa is,
For he comes not near me now.
II
I hear no more the foot pace
In the hall by my door,
Where he would gently, gently tread
Upon the oaken floor.
His place is vacant by the hearth,
There stands his easy chair;
I hear no more his loving voice
Raising the evening prayer.
III
The last time I saw my papa dear

I Wonder What It Feels Like to be Drowned

Look at my knees,
That island rising from the steamy seas!
The candles a tall lightship; my two hands
Are boats and barges anchored to the sands,
With mighty cliffs all round;
They’re full of wine and riches from far lands….
I wonder what it feels like to be drowned?

I can make caves,
By lifting up the island and huge waves
And storms, and then with head and ears well under
Blow bubbles with a monstrous roar like thunder,
A bull-of-Bashan sound.
The seas run high and the boats split asunder….

I think the Hemlock likes to stand

525

I think the Hemlock likes to stand
Upon a Marge of Snow—
It suits his own Austerity—
And satisfies an awe

That men, must slake in Wilderness—
And in the Desert—cloy—
An instinct for the Hoar, the Bald—
Lapland's—necessity—
The Hemlock's nature thrives—on cold—
The Gnash of Northern winds
Is sweetest nutriment—to him—
His best Norwegian Wines—

To satin Races—he is nought—
But Children on the Don,
Beneath his Tabernacles, play,
And Dnieper Wrestlers, run.

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