running

When Reuben Pantier ran away and threw me
I went to Springfield. There I met a lush,
Whose father just deceased left him a fortune.
He married me when drunk. My life was wretched.
A year passed and one day they found him dead.
That made me rich. I moved on to Chicago.
After a time met Tyler Rountree, villain.
I moved on to New York. A gray-haired magnate
Went mad about me -- so another fortune.
He died one night right in my arms, you know.
(I saw his purple face for years thereafter.)

Doubt no more that Oberon—
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,—
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise—
Healthy tree, with trunk and root—
Ivory bowls that bear no fruit,
And the starlings and the jays—
Birds that cannot even sing—
Dare to come again in spring!

Dorinda's sparkling wit and eyes,
United, cast too fierce a light,
Which blazes high but quickly dies,
Warms not the heart but hurts the sight.

Love is a calm and tender joy,
Kind are his looks and soft his pace;
Her Cupid is a blackguard boy
That runs his link into your face.

It was, I well remember, the merry springtime when
Young Dora in the eventide came singing up the glen,
And the song came up the glen, till one oft-repeated part
In a subtle stream of melody ran glowing through my heart.
A fond desire, long cherished, till then I might control,
Till then—but oh! That witching strain swift drew it from my soul;
Swift drew it from my soul, and she did not say me nay,
And the world of love was all the world to us that happy day.

I’m happy now in thinking how happy I was then,

Don't let that horse
eat that violin

cried Chagall's mother

But he
kept right on
painting

And became famous

And kept on painting
The Horse With Violin In Mouth

And when he finally finished it
he jumped up upon the horse
and rode away
waving the violin

Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.

Donald's gane up the hill hard and hungry
Donald comes down the hill wild and angry
Donald will clear the gouk's nest cleverly
Here's tae the king and Donald Macgillavry
Come like a weigh-bauk, Donald Macgillavry
Come like a weigh-bauk, Donald Macgillavry
Balance them fair, and balance them cleverly
Off wi' the counterfeit, Donald Macgillavry

Donald's run o'er the hill but his tether, man
As he were wud, or stang'd wi' an ether, man
When he comes back, there's some will look merrily

"Put up the sword!" The voice of Christ once more
Speaks, in the pauses of the cannon's roar,
O'er fields of corn by fiery sickles reaped
And left dry ashes; over trenches heaped
With nameless dead; o'er cities starving slow
Under a rain of fire; through wards of woe
Down which a groaning diapason runs
From tortured brothers, husbands, lovers, sons
Of desolate women in their far-off homes
Waiting to hear the step that never comes!
O men and brothers! let that voice be heard.

'A shilling's worth of quinine, please,'
The customer demanded.
The druggist went down on his knees
And from a cupboard handed
The waiting man a tiny flask:
'Here, Sir, is what you ask.'
II
The buyer paid and went away,
The druggist rubbed his glasses,
Then sudden shouted in dismay:
'Of all the silly asses!'
And out into the street he ran
To catch the speeding man.
III
Cried he: 'That quinine that you bought,

Do they know? At the turn to the straight
Where the favourites fail,
And every last atom of weight
Is telling its tale;
As some grim old stayer hard-pressed
Runs true to his breed,
And with head in front of the rest
Fights on in the lead;
When the jockeys are out with the whips,
With a furlong to go,
And the backers grow white in the lips --
Do you think they don't know?
Do they know? As they come back to weigh
In a whirlwind of cheers,
Though the spurs have left marks of the fray,