Come away, come away, death,
   And in sad cypres let me be laid;
Fly away, fly away, breath;
   I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
   O prepare it!
My part of death, no one so true
   Did share it.

Not a flower, not a flower sweet,
   On my black coffin let there be strown;
Not a friend, not a friend greet
   My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,

THE MAIDEN.

I've seen him before me!
What rapture steals o'er me!

Oh heavenly sight!
He's coming to meet me;
Perplex'd, I retreat me,

With shame take to flight.
My mind seems to wander!
Ye rocks and trees yonder,

Conceal ye my rapture.

Conceal my delight!

THE YOUTH.

'Tis here I must find her,
'Twas here she enshrined her,

Here vanish'd from sight.
She came, as to meet me,
Then fearing to greet me,

With shame took to flight.
Is't hope? Do I wander?
Ye rocks and trees yonder,

FOLLOW your saint, follow with accents sweet!
Haste you, sad notes, fall at her flying feet!
There, wrapt in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight, and ne'er return again!

All that I sung still to her praise did tend;
Still she was first, still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy:
Then let my notes pursue her scornful flight!

I think that the bitterest sorrow or pain
Of love unrequited, or cold death’s woe,
Is sweet, compared to that hour when we know
That some grand passion is on the wane.

When we see that the glory, and glow, and grace
Which lent a splendour to night and day,
Are surely fading, and showing grey
And dull groundwork of the commonplace.

When fond expressions on dull ears fall,
When the hands clasp calmly without one thrill,
When we cannot muster by force of will
The old emotions that came at call.

No, mother, I am not sad:
Why think me sad? I was always still,
You remember, even when my heart was most glad
And you used to let me dream at my will;
And now I like better to watch the sea
And the calm sad sky than to laugh with the rest.
You know they are full of chatter and glee,
And I like the quietness best.

Nay, mother, you look so grave.
I know what you're thinking and will not say;
But you need not fear; I am growing brave
Now that the pain is passing away,
And I never weep for him now when alone,

Before the florid portico
I watched the gamblers come and go,
While by me on a bench there sat
A female in a faded hat;
A shabby, shrinking, crumpled creature,
Of waxy casino-ward with eyes
Of lost soul seeking paradise.
II
Then from the Café de la Paix
There shambled forth a waiter fellow,
Clad dingily, down-stooped and grey,
With hollow face, careworn and yellow.
With furtive feet before our seat
He came to a respectful stand,
And bowed, my sorry crone to greet,
Saying: "Princess, I kiss your hand."
III

What is yonder white thing in the forest?
Is it snow, or can it swans perchance be?
Were it snow, ere this it had been melted,
Were it swans, they all away had hastend.
Snow, in truth, it is not, swans it is not,
'Tis the shining tents of Asan Aga.
He within is lying, sorely wounded;
To him come his mother and his sister;
Bashfully his wife delays to come there.
When the torment of his wounds had lessen'd,
To his faithful wife he sent this message:
"At my court no longer dare to tarry,
At my court, or e'en amongst my people."

Laid now on his smooth bed
For the last time, watching dully
Through heavy eyelids the day's colour
Widow the sky, what can he say
Worthy of record, the books all open,
Pens ready, the faces, sad,
Waiting gravely for the tired lips
To move once -- what can he say?

His tongue wrestles to force one word
Past the thick phlegm; no speech, no phrases
For the day's news, just the one word ‘sorry';
Sorry for the lies, for the long failure
In the poet's war; that he preferred
The easier rhythms of the heart

Poor Martha is old, and her hair is turn'd grey,
And her hearing has left her for many a year;
Ten to one if she knows what it is that you say,
Though she puts her poor wither'd hand close to her ear.

I've seen naughty children run after her fast,
And cry, "Martha, run, there's a bullock so bold;"
And when she was frighten'd, ­laugh at her at last,
Because she believed the sad stories they told.

I've seen others put their mouths close to her ear,
And make signs as if they had something to say;

There is a stubble field on which a black rain falls.
There is a tree which, brown, stands lonely here.
There is a hissing wind which haunts deserted huts---
How sad this evening.

Past the village pond
The gentle orphan still gathers scanty ears of corn.
Golden and round her eyes are gazing in the dusk
And her lap awaits the heavenly bridegroom.

Returning home
Shepherds found the sweet body
Decayed in the bramble bush.

A shade I am remote from sombre hamlets.
The silence of God
I drank from the woodland well.